كنيسة مار سركيس وباخوس - كفرعبيدابوشر بناء الكنيسة سنة ١٩١٢ على أنقاض كنيسةٍ صغيرة أقدم، هندستها فريدة نيو رومانيّة تعلوها قبة مسدّسة. عام ١٩٨٨ رمّمت الكنيسة والساحة بما يتناسب مع الهندسة المعماريّة، وأضيفت إليها مجموعة من الزجاجيّات. تحوي الكنيسة على لوحةٍ قديمةٍ لمار سركيس وباخوس للفنّان كنعان ديب تعود لسنة ١٨٤٤.The church of Sts Sergius and Bacchus - KfarabidaThe church was built over an older one in 1913, according to a neo romanesque style with a heptagonal bell tower. In 1988 the church and the place were renovated and stained glass windows decorated the building. The church contains an old painting of Sts Sergius and Bacchus by Kanaan Dib dating back to year 1844.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
كنيسة قديمة العهد تعود للقرون الوسطى. فيها عقد البطريرك يوسف الرزّي مجمع ضيعة موسى سنة ١٥٩٨ الذي أقرّ جملة من الإصلاحات الكنسيّة كاعتماد التقويم الغريغوريّ. بقيت الكنيسة خربةً ردحًا من الزمن، إلى أن رمّمت سنة ٢٠٠٧.
The church of St Augustin - Kfarsghab
An old medieval church dating back to the Middle Ages. In 1598 the council of Dai'at Moussa was held in it, presided by Patriarch Youssef El Rezzi, and proclaimed many liturgical renovations such as the adoption of the Gregorian calendar. The church laid in ruins for a long time, until it was renovated in 2007.
بُنيت الكنيسة سنة ١٩٤٦ وكرّسها المطران أغوسطينوس البستاني. بناؤها بازيليكيّ الطراز بثلاث أسواقٍ وحنية نصف دائريّة. رُمّمت الكنيسة بعد زلزال سنة ١٩٥٦، وأُضيفت إليها قبّة الجرس. تضمّ الكنيسة أيقونةً أورشليميّة عجائبيّة للسيّدة العذراء وهي التي حمت الأهالي خلال الحرب العالميّة الأولى.
The new Church of Our Lady - Sarba, South Lebanon.
The church was constructed in 1946 and consecrated by Archbishop Augustine el-Boustany. This basilical church features three naves and a semi-circular apse. Following the earthquake of 1956, the structure underwent restoration, and a bell tower was subsequently added to the church. Notably, the church houses an icon of the Theotokos from the school of Jerusalem, which is believed to possess miraculous properties. According to the local community, this icon protected the village during World War I, serving as a source of divine intervention and safeguarding.
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