The church dates back to the Phoenician era with a high vault. The great frensh orientalist Ernest Renan retraced its history with its huge stone pillars. The church had a great Phoenician tympant with two snakes revolving around a globe. The huge stone was taken to the Louvre museum by Renan.The final stage and most recent construction dates back to 1870 when the church was rededicated by bishop Yousef el Marid.St George’s painting over the altar is the work of Paul Shlavekتعود الى العهد الفينيقي لأنها مبنيّة بعقد قصبة مرتفعة وكانت معبدًا وثنيًّا.أشار إرنست رينان الى وجود اعمِدة أثريّة استُعملت في مداميك البناء. رُمّمت وزيد عليها مع تعاقب المراحل التاريخيّة.رينان انتزع عتبة الكنيسة وأرسلها الى متحف اللوفر في باريس، وهي تحمل نقشًا من الرموز التي كانت شائعةً في الدين الفينيقي يمثّل كرةً تلتفُّ حولها حيّاتٌ مجتمعة الأذناب في أعلاهارُمِّمت هذه الكنيسة عدَّة مرّات، وكُرِّست عام 1870 بيد المطران يوسف المريض. وصورة مار جرجس فيها هي بريشة الرسّام بولس شلافك
بنى أهل حدشيت الآتين إلى حمّانا الكنيسة الأولى بداية القرن السابع عشر، وحملوا معهم شفاعة مار رومانوس. سنة ١٧٢٣ أخذت الكنيسة شكلها الحاليّ: عقد مُصالب ينتهي بحنية. وًسّعت سنة ١٧٨٣. سنة ١٨٢٥ أنعم قداسة البابا لاوون الثاني عشر، بالغفارين للمذبح الكبير. تعرّضت للتخريب في أحداث ١٨٦٠، وكرّس مذبحها الجديد المطران نعمة الله سلوان سنة ١٨٧٣. في عشرينيّات القرن العشرين بُنيت القبّة والساعة الطنّانة. سنة ١٩٣٦ زارها البطريرك أنطون عريضة. رمّمت الكنيسة سنة ١٩٩٠. تضمّ الكنيسة العديد من المفارش البيعيّة المحليّة الصنع كبيت القربان وقبته، مجموعةً من اللوحات الغربيّة، ولوحة مار رومانوس مقتبسة عن لوحة حدشيت من عمل نجيب حاتم سنة ١٩٢٢.
The church of St. Raymond (Roumanos) - Hammana
The church was built in the beginning of the XVIth century by the villagers of Hadshit who resided in Hammana and imported the devotion towards their patron saint Raymond. In 1723 the church took its current form: a crossed vault with an apse. The church was enlarged in 1783. In 1825 Pope Leo XII gave the privilege to the church's altar. In 1860 the church was damaged during the civil war. The altar was reconsacrated in 1873 by Mgr. Nematullah Selwan. During the second decade a bell tower with a clock was added. In 1936 Patriarch Antoun Arida visited the church. In 1999 the church was restored. The church holds many ecclesiastical artifacts: a tabernacle with a baldaquin, western style paintings, and a painting of Saint Raymond inspired by the one in Hadshit by Najib Hatem dating back to 1922.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
St. Mary Church - كنيسة السيدة, Wadi Jezzine, Lebanon
كنيسة مار لابا
Midane Jezzine
Jezzine
South
كنيسة مار لابا - الميدان جزّين
سنة ١٧٤٢ إنتُخب المطران سمعان عوّاد الحصرونيّ بطريركًا وجعل كرسيّه في بلدة الميدان الجزينيّة. حمل أهل حصرون معهم شفاعة مار لابا أو يهوذا الرسول إلى الميدان وبنوا له مقامًا صغيرًا. سنة ١٩٠٣ بعناية الخوري يعقوب عوّاد، بُنيت الكنيسة الحاليّة، وهي كناية عن عقدٍ مصالبٍ ينتهي بحنيةٍ نصف دائريّة. وجلب مغتربو البلدة لوحة مار لابا من المكسيك سنة ١٩٢١ وهي من عمل سارييا زاكاتيكاس. وسّعت الكنيسة ورمّمت عدّة مرّات في النصف الثاني من القرن العشرين.
The church of St Laba - Al Midane Jezzine
In 1742 bishop Semaan Awad was elected patriarch, and made his patriarchal seat in Al Midane. Since he was originally from Hassroun he built a shrine for St Jude the apostle (Laba or Tedy) in the village. In 1903 the current church was built, with the efforts of Fr. Yaqoub Awad. The structure consists of a crossed vault ending with a semi circular apse. The church was renovated many times during the latter half of the XXth century. The painting of St Leba was donated by the village’s diaspora in Mexico in 1921 it is the work of Saria Zakaticas.
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