كنيسة مار سمعان العاموديّ - العاقورةفي أعالي العاقورة طريق شقّها الفينيقيّون ورمّمها الرومان، بدليل كتابة لاتينيّة بقرب الكنيسة. ويفيد المؤرّخون أن دوميسيانوس قيصر الامبراطور الرومانيّ مرّ في بلدة العاقورة سنة ٨٢ بعد المسيح ووسّع الطريق شرقيّ البلدة، كما تشير الكتابة: IMP DOMITIANIA, S.V.T. حين نزح الموارنة في القرن السابع إلى البلدة، حوّلوا البناء الرومانيّ بقرب الشير إلى مزار لمار سمعان العاموديّ لتأثرهم بمار سمعان في سوريا. رُمّمت الكنيسة وأخذت شكلها الحاليّ بداية القرن العشرين.St Simon the Stylite church - AqouraIn the mountains east of Aqoura, the Phoenicians built a road that was enlarged by the Romans. Empror Domician passed by this road during his visit to Aqoura in 82 AD, and left a latin inscription near the church that says: IMP DOMITIANIA SVT. When the Maronites came to Aqoura in the VIIth century they converted the old roman building to a shrine church dedicated to St Simon the Stylite since they were influenced by the Stylites of Syria. The church took its final shape after restoration works in the early XXth century.
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat
The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.
كنيسة مار فوقا – أميون كنيسة مار فوقا كنيسة أرثوذكسيّة تعود الى العهد الصليبيّ. شُيِّدت فوق معبد وثنيّ فوقه كنيسة بيزنطيّة تعود الى القرن السابع. الكنيسة بازيليكيّة، بثلاثة أروقة. تحوي الكنيسة جداريّات بيزنطيّة، تُمَثِّل السيد المسيح والعذراء مريم والرُسُل والقدّيسين، منهم مار فوقا ومار سمعان. دُفن في هذه الكنيسة قائد الجيش البيزنطيّ موريق، الذي أرسله الامبراطور يوستينيانوس لِقَمع تَمَرُّد الموارنة، وقتل في المواجهة التي حدثت في أميون بين الفريقين سنة ٦٩٤.
The church of St Focas - Amioun
The church of St Focas is a Greek Orthodox church built during the times of the Crusades, over a VIIth century Byzantine church built over a Roman temple. The church is basilical with three naves. It is decorated with medieval frescoes depicting Christ, the Theotokos, Apostles and other saints. In this church is buried the Byzantine commander Moricius sent by emperor Justinian to quell the Maronite’s revolt in 694, and died in the battle of Amioun.
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