كنيسة مار سركيس وباخوس - رشدبينهي كنيسة البلدة الرعائيّة بُنيت حوالي سنة ١٩٠٥ مكان كنيسة أقدم عهدًا. رُمّمت الكنيسة على عدّة مراحل، وهي مؤلّفة من سوق واحد وعقدٍ مصالب. اللوحة القديمة من عمل كنعان ديب الدلبتاوي تعود لسنة ١٨٥٨. أمّا اللوحة الجديدة فهي من عمل هارمانديان وتعود لسنة ١٩٥٩.The church of Sts Sergius and Bacchus - ReshdebineThe church is the parochial church of the village, built in 1905 on the site of an older church. The church was restored on several occasions, it consists of a single apse with a crossed vault. The church holds two paintings of the patron saints: the older one by Kannan Dib from 1858, and the new one by Harmanedian from 1959.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
سنة ١٨٠٤ رسم المطران يوحنا الحلو الخوري حنا رزق (المطران يوسف) كاهنًا، وفوّض إليه بأمر البطريرك يوسف التيّان حقوق النيابة وزيارة أبرشية صور وصيدا، فسهر على خيرها ملاحظًا شؤونها متجوّلاً في أنحائها. بعد قرابة الثلاثة أعوام من تعيينه نائبًا عامًا على أبرشية صور وصيدا، وبعد أن عرف حاجتها الى العلم، باشر الأب حنا رزق بإنشاء دير ومدرسة مار يوسف في جزين. عام 1810 توقف الأب حنا عن البناء وعاد الى عين ورقة ليصبح رئيسًا للمدرسة في غسطا. عاد المطران يوسف بعد احداث ١٨٦٠ ليبني الدير والكنيسة. ميزة بناء هذه الكنيسة هي عدم وجود اي عمود في وسطها ، وطراز شبابيكها، ونوع حجارتها والدرج الداخلي في حائطها الشمالي. واستقدم لها اللوحات من روما والمذابح الرخاميّة من المرمر الأبيض. وهي آية في الجمال المعماري. اللوحات من عمل رسام ايطالي انريكو سكيفوني. وهي اليوم وقف الآل رزق.
In 1804 Archbishop Youhanna el Helo ordained Hanna Rizk (later bishop Youssef) a priest, and gave him the mission with the blessing of Patriarch Tayyan to oversee as a vicar general the archdiocese of Tyr and Sidon. After three years in his mission, and seeing the urge for a seminary in the diocese, he began the construction of St. Joseph's Seminary in his hometown Jezzin. In 1810 the construction was delayed due to the appointment of Mgr. Rizk as a Rector in the Maronite Grand Patriarcal Seminary in Ain Warqa. Yet after the war in 1860 he resumed his initial project in Jezzin. The church is unique in its architecture: a high cieling with no columns. The white marble altars are beautifully ornate. And the paintings are the work of the Italian Enrico Scifoni. The establishment is now a private chapel owned by the Rizk family.
كنيسة الطوباوي، (ابونا يعقوب), Deir El Qamar, Lebanon
الصليب
Deir El-Qamar
Chouf
Mount Lebanon
الصليب - دير القمر
سنة ١٩٢٩ قَرَّرَ الطوباويّ ّيعقوب الكبوشي بناء نُصُب الصليب على أعلى تلّة في دير القمر في محلّة كانت تُعرف بقلعة صور. وكان الهدف من البناء أن يُرفع صليب فوق مثوى من ماتوا دون جنازة في حرب سنة ١٩١٤، وأن يكون الصليب مواجهًا لبلدة بعقلين علامةً لحبّ المسيح لأبنائها ورحمته تجاههم على حدّ قول الأب يعقوب. وهَبَ الأرض لهذا المشروع ألمُثَلَّث الرحمات المطران أوغسطينوس البستاني رئيس أساقفة صيدا. إنتهت ألأشغال ببناء كنيسة صغيرة ترتفع عليها قاعدة يرتكز عليها الصليب، وقد تبرعت ١٤ عائلة من دير القمر ببناء مراحل درب الصليب تُحيط بالنُصب. وفي ١٤ أيلول سنة ١٩٣٢ تَمَّ تكريس المقام. تعرّض للتخريب خلال الحرب الأهليّة وأعيد ترميمه .
The Cross - Deir el Qamar
In 1929 Blessed Fr Jacob Haddad OFM, decided to build a cross on a hill called Qalaat Sour in Deir el Kamar. His ambition was lead by a desire to have a cross raised over all those who died in the war of 1914 without a proper burial, and that the cross would be facing the town of Baakline to be a sign of the Lord’s love and mercy towards its citizens. To accomplish this noble project, the bishop of Sidon Mgr Agustin el Boustany donated the land. A small chapel was built and over it the cross was raised. To help with the project, 14 families from the town donated to build the stations of the cross. The shrine was inaugurated and consecrated on the 14th of September 1932. The shrine was sabotaged during the civil war and restored during peace times.
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