يعود بنا هذه الكنيسة إلى القرون الوسطى وتتألف من كنيستين:الكنيسة القديمة جدرانها مكسوة بالجداريات. هي من النوادر في العمارة الكنيسة لأن فيها حنيتان يتوسطهم رسم المصلوب. مواضيع الجداريات: الشفاعة، العذراء على العرش محاطة بمار بطرس وبولس، ذبيحة النبي ابراهيم، آثار لجدرانيات أخرى باتت مندثرة.اما الكنيسة الثانية فهي أحدث عهداً ملاصقة للأولى، مبنية على النمط البازيليكي بثلاث اسواق، وامامها رواق بالحجر المعقود.بقيت الكنيسة مستخدمة الى القرن التاسع عشر حين نزح آخر موارنة البلدة. ومنذ عام ٢٠١٢ انطلق مشروع ترميم الكنيسة.This church is built in the medieval ages, and is composed of two parts:The old church has walls filled with frescoes. It is one of the very rare churches in which you can see the crucified drawn between two naves.The drawings are as follows:The Deisis, Mary the throne of wisdom, surrounded by Saints Peter and Paul, Abraham's sacrifice, in addition to different frescoes that are damaged and can hardly be seen now.The second church is just next to the first, but built in a later era, in a basilical form with three aisles.The church was still in use by the maronite community until the 19th century.Since 2012 a project to renew the church was launched.
كاتدرائيّة مار مارون - بيت الدّين سنة ١٨٢٩ وهب الأمير قاسم شهاب المطران يوحنا الحلو (البطريرك لاحقًا) قطعة أرض لبناء كنيسة على اسم مار مارون لأبناء البلدة، هذه الكنيسة الأولى هي السكرستيّا اليوم. سعى لبناء الكنيسة الحاليّة الأمير بشير الثاني الشهابيّ الكبير، وكرّسها البطريرك يوسف حبيش في زيارته لمركز الإمارة في أيّار سنة ١٨٣٧، وجعلها كرسيًّا لرئيس أساقفة صور وصيدا المطران عبدالله البستاني، وبنى له دارًا للمطرانيّة بقربها، ليكون مركز المطران بجوار مركز الإمارة. تعرّضت الكنيسة للتخريب مرّتين: سنة ١٨٦٠ و١٩٨٣. أعيد ترميمها أخيرًا في تسعينيّات القرن العشرين.
The Cathedral of St Maroun - Beit El Din In 1829 Prince Qasem Chehab gave Bishop Youhanna El Helou (later Patriarch) a parcel of land to build a church dedicated to St Maroun on, this old church is used today as a sacristy. The current cathedral was built by Prince Bechir the second Chehab and consecrated by Patriarch Youssef Hobeich during his visit to the seat of power in Beit El Din in May 1838, and made it the seat of the archbishop of Tyr and Sidon, with its first prelate Archbishop Abdallah El Boustany. The archbishopric was constructed adjacent to the church, so that the seat of the Archbishop would be near the princely palace. The church was devastated during the wars of 1860 and 1983, and finally renovated during the nineties.
Saint ELIE CHURCH كنيسة مار الياس, Hemlaya, Lebanon
كنيسة مار الياس
Himlaya
Metn
Mount Lebanon
كنيسة مار الياس - حملايا
سنة ١٩٠٤ قُسِّمت كنيسة مار جرجس بين آل الراعي وآل الريّس. فقرّر يوسف الريّس البقاء مع أخواله في الكنيسة القديمة، لكنّه عاد سنة ١٩٠٦ وقرّر إنشاء كنيسة جديدة لمار جرجس مع عددٍ من عائلات البلدة. بقيت هذه الكنيسة مًقفلة حتّى ستينيّات القرن العشرين حين أّعيد افتتاحها وتكريسها على إسم مار الياس. الكنيسة مسقوفة وتحوي ثلاث حنايا. تضمّ الكنيسة ساعة طنّانة، وتحوي لوحةُ من عمل حبيب سرور.
The church of St Elijah - Hemlaya
In 1904 the old St George’s church was divided between the Rahi and the Rayess families. Back then Youssef El Rayess decided to stay with his uncles, yet in 1906 he decided to build a new church dedicated to St George with a number of the village’s families. This church remained closed until the sixties when it was rededicated to St Elijah. The church is a roofed structure with three apses, it holds a clocktower and contains a painting of St Elijah by Habib Srour.
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
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