كنيسة السيّدة - مراح الزيّاتالكنيسة قديمة العهد وتاريخ بنائها مجهول. في الكنيسة العديد من الحجار المقصوبة المأخوذة من قلعة سمار جبيل القريبة. البناء كناية عن عقد سريريّ ينتهي بحنية نصف دائريّة. تضمّ الكنيسة لوحتين من القرن التاسع عشر: الأولى للعذراء من عمل كنعان ديب والثانية لمار جرجس من عمل المستشرق البولونيّ بول شلافاك.The church of Our Lady - Mrah El ZayatThe church is an old structure with an unknown history. The structure is a crib vault ending with a semi circular apse, with many spolias from the nearby Smar Jbeil castle. The church holds two XIXth century paintings: the Madonna by Kanaan Dib and St George by the polish orientalist Paul Shlavat.
بنى أهالي الحياطة كنيسة مار مارون وهي على شكل عقدٍ مصالب سنة ١٨٨٠. كرّسها المطران يوحنّا الحاج (البطريرك لاحقًا)، وقد أوحى وجه هذا الأسقف الفنّان حبيب سرور ليرسم لوحة مار مارون برصانته. تضمّ الكنيسة لوحة البشارة للخوري موسى ديب الدلبتاوي. رمّمت الكنيسة سنة ٢٠٠٨.
The Church of St Maroun - Haiyatah
The villagers constructed the parish church of St Maroun in 1880. The structure is a cross-vault building. It was consecrated by Bishop Youhanna El Hage (later Patriarch) whose face, due to his serenity, served as a model for that of St Maroun when the painting was created by Habib Srour. The church also features an Annunciation painting by Fr Moussa Dib from Dlebta. The church underwent restoration in 2008.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
شيّد أهالي قرنة شهوان كنيسةً بإسم الرسولين بطرس وبولس في أواخر القرن السابع عشر دفع معظم أكلافها الحاج مفرج غبريل، وكرّسها المطران الياس محاسب سنة ١٧٢٠. تجدّدت باتّفاق وتبرّعات سكان القرية عمومًا بسعي المطران بطرس الزغبي نحو سنة ١٩٠٨. تجدّد بناء الكنيسة عام ١٩١٢ في عهد الخوري إلياس زعرور كاهن الرعية، فأتت برسمها الباريسي آية قي الجمال والإبداع. سنة ١٩٩٦، رُممت الكنيسة و رُسمت الزجاجيات. الكنيسة بناء نيوغوطيّ الطراز.
The church of Sts. Peter and Paul - Cornet Chehwan
The church was built in the late 17th century, and the greater part of its expenses were covered by Hajj Moufarrej Ghobril. It was consecrated by Bishop Elias Mhaseb in 1720. Through the initiative of Fr. Elias Zaarour and the locals, it was rebuilt in 1912 and reconsecrated by Bishop Boutros el Zoghby. The church was reconstructed in a Neo-Gothic style with Parisian-inspired decorations. In 1996, it was renovated and stained glass windows were added.
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