Karm Saddeh – Saint Jacob Monastery and Saint Anthony Padua Church

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Saint Jacob Monastery (Couvent Saint Jacques), Karm Saddeh, Lebanon

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دير مار يعقوب وكنيسة مار أنطونيوس البادوانيّ

Karm Saddeh

Zgharta

North

دير مار يعقوب وكنيسة مار أنطونيوس البادوانيّ – كرم سدّه الدير كان قديمًا هيكلًا وثنيًّا رومانيًّا. تاريخ البناء الأوّل مجهول. سكنه اليعاقبة وتركوه في القرن الخامس عشر فأصبح خرابًا. جدّده عام ١٨٣٧ المطران بولس موسى رئيس أساقفة طرابلس لجعله كرسيًّا أسقفيًّا ومدرسة إكليركيّة لـمار أنطونيوس البادوانيّ، الذي على اسمه شُيّدت الكنيسة. عام ١٨٨٤ شيّد المطران إسطفان عواد الجهة الشرقية وجدّد عام ١٨٧٩ الإكليركيّة. عام ١٩١٢ وسّعه المطران أنطون عريضة، لكنّ الإكليريكيّة أغلقت أبوابها مع الحرب العالميّة الأولى إلى أن عادت لتفتح أبوابها سنة ١٩١٩. زارها عام ١٩٢٠ المفوّض السامي الفرنسي الجنرال غورو . شيّد المطران أنطون عبد عام ١٩٦٠ قسمًا جديدًا من الدير، وعام ١٩٩٦ بُني البناء الجديد. ضمّ هذا البناء سنة ١٩٩٨ كليّة العلوم اللاهوتية والدراسات الرعائية في الجامعة الأنطونيّة، بسعي المطران يوحنّا فؤاد الحاج. Saint Jacob Monastery and Saint Anthony Padua Church - Karm Saddeh The monastery was originally an ancient Roman pagan structure. The exact date of its initial construction is unknown. It was inhabited by the Jacobites and abandoned in the 15th century, falling into ruins. It was renovated in 1837 by Archbishop Paul Moussa, the head of the Archdiocese of Tripoli, to serve as an episcopal see and a seminary for Saint Anthony Padua, after whom the church was named. In 1884, Archbishop Estephan Awwad constructed the eastern side and renovated the seminary in 1879. In 1912, Archbishop Antoine Arida expanded it further, but the seminary closed its doors during World War I and reopened in 1919. It was visited by the French High Commissioner General Gouraud in 1920. Archbishop Antoine Abed built a new section of the monastery in 1960, and in 1996, a new building was constructed, which included the Faculty of Theology and Pastoral Studies at Antonine University, under the guidance of Archbishop Youhanna Fouad El-Hage.

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The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.

The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.

According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.

In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.

During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.

Kfarhelda – Our lady of Kfarmalkoun, or Our lady of ruins

كنيسة سيدة كفرملكون الأثرية - كفرحلده, Kfar Helda, Lebanon

كنيسة سيّدة كفرملكون (سيّدة الخرايب)

Kfar Hilda

Batroun

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كنيسة سيّدة كفرملكون (سيّدة الخرايب) - كفرحلدا
ترقى الكنيسة الى القرن الثالث عشر ، في أعالي بلدة كفرحلدا وكانت قد بنيت هذه الكنيسة بالطريقة البدائية التقليدية كما كان قائماً في القرون الوسطى، أما قبة الجرس فهي حديثة الصنع.
هذه الكنيسة كانت جزءاً من قرية كفرملكون الواردة في السجلات العثمانية. مع مرور الزمن هُجّرت القرية وبدأت الابنية بالتفكك والانهيار خاصة بعد حدوث زلزال كان قد ضرب المنطقة أدى الى خرابها فسُميت بسيّدة الخرايب. أما السواد الذي يغطي بعضاً من معالم الرسومات داخل جدران الكنيسة، فكان بسبب ان بعض الرعاة كانوا يرتادون المكان ويشعلون النار للتدفئة.
في حنية الكنيسة جدارية الشفاعة مع كتابة يسوع المسيح بالخط السرياني الملكي في الوسط.
على الجدار الشمالي رسماً لأسقف أصلع الرأس، هو القديس يوحنا الذهبي الفم. وعلى الجدار نفسه نقرأ اسم ضومطيوس باللغة اليونانية.
أما على الجدار الجنوبي بقايا مشهد الميلاد مع أربع ملائكة وراعٍ يعزف على الناي وبجانبه حملان.

Our lady of Kfarmalkoun, or Our lady of ruins - Kfarhelda
Dating back to the 13th century, and laying on the high hills of Kfarhelda, this church was built following the traditional medieval style.
This church is located in the old Kfarmalkoun village that is found in the Ottoman records. With time, the villagers had left their village and the buildings started to fall apart, especially after it was hit by an earthquake. Thus the name: Our Lady of the Ruins.
Some of the Church walls are covered with a black layer caused by the fires that the pastors lit when they were cold.
On the Church's apse, one can find the Deisis fresco, surrounded by the words Jesus Christ written in a royal syriac font.
On the northen wall, we can see the drawing of a bald bishop, St. John Chrysostom. On the same wall, we can find the words Domtius written in Greek.
On the sourhern wall, on can find the remains of a fresco depicting the Nativity scene with four angels and a pastor playing on the flute next to some sheep.