كنيسة القدّيسة كاترينا – أنفهكنيسة القدّيسة كاترينا كنيسة أرثوذوكسيّة بنيت هذه إبّان الحملة الصليبيّة الثالثة في القرن الثاني عشر بحسب الفنّ الرومانيّ، وكرّست على اسم القبر المقدّس. كانت الكنيسة تابعة لفرسان مالطا. في القرن السابع عشر رُمّمت الكنيسة وسَمّاها السكان على اسم القدّيسة كاترينا. تحوي الكنيسة عدّة أيقونات أهمّها أيقونة القدّيسة كاترينا التي رسمها بوليخرونيوس الكريتي أوائل القرن التاسع عشر.The Church of St Catherine - EnfehThe Greek Orthodox church of St Catherine was built in the XIIIth century during the third Crusade according to the romanesque architectural style, and was dedicated to The Holy Sepulcher. The church was a vassal to the Knights of St John of Malta. During the XVIIth century the church was restored and rededicated to St Catherine. The church holds many icons the most important one being that of St Catherine dating back to the early XIXth century, it is the masterpiece of the Cretan iconographer Polychronius.
Saint Abda Church، Antelias - Bikfaiya Road, Lebanon
مار عبدا - بكفيا
1587
Bickfaya
Metn
Mount Lebanon
The Life of Mar Abda Mar Abda was born in Persia (1) in the first generation after Christ. Judas – the disciple – baptized him and bestowed priesthood upon him then raised him to bishop over the city of Babel. He preached the faith of Christ and baptized those turning to Christianity and bestowed priesthood in every country he crossed. Some of his miracles include healing the sick and the blind and expelling devils. He walked over the water of the "Big River " with two of his disciples. He was martyrized by decapitation in the city of Noa on the Indian border with seven priests and nine virgins of his disciples. After his martyrdom he became the intercessor of barren women and the guardian of children and Christian families as well as other families (1) The Syriac church spread from Persia till the Mediterranean and was divided to Eastern and Western. The followers of this church used to move from one area to another carrying with them the saints they worshiped. Some of them carried with them the worship of Mar Abda to our area.
The Ancient History of Bikfaya The name of the town comes from Armaic Syriac origin ( Beit Kfeya) the stone house – that is consecrated to worship the God "Kifa". Church historian, the German historian Roehinger, proved that the Christian peoples – later known as al-Marada have dwelled in this area and built BasKinta, Bikfaya, and Bhersaf starting at around the year 679 – short time before building Ehden in north Lebanon. Historians mention as well that Bikfaya and Bhersaf were the headquarters of the Maronite Emirs and Bishops starting from the 7th Century A.D. and the most distinguished of these was Emir Semaan who resided in Bhersaf in the 11 th Century . The residents of the old Kesrwan ( which included at the time the Metn area and its surroundings ) supported the Crusaders who stayed in this country from 1098 till 1291. When the Crusaders withdrew from these lands, the Arabs led their first Mamluk campaign in revenge under the leadership of prince Pedra in 1292. However, these harsh mountains proved resistant to Mamluk soldiers who led a second campaign in 1293 which ended in the death of their leader and the slaughter of most of their soldiers. The Marada victories filled the Mamluk with hatred. They gathered an army of fifthy thousand warriors who attacked Kesrwan in 1305. They destroyed villages, burned temples, cut trees and wiped out all traces of construction and also killed everyone they could lay hands on. Only a few of the residents of these areas survived and wandered in the mountains of North Lebanon. As such , Bikfaya and its surroundings remained uninhabited until the 16th century.
Bikfaya during the era of the Assafiyeen Emirs Feudalism in the Mamluk era was granted by the sultan in return for military services provided by individuals to the state. The Mamluk granted the Turkuman ( known as Assafiyeen ) control over the north ( Lubnan Fi al-Tarikh- Dr Philip Hitty- Dar al –Thakafa- Beirut ,1959 ) with the mission to safeguard the shoreline against intrusion by occidentals and early natives. The Assafiyeen inhabited areas they called after their notables and then moved to Ghazir. During the era of prince Mansour al-Assafy , with security spreading in the Kesrwan area, some members of the Bikfaya families- who had survived in 1305-started to return to their hometown in 1540 (Sheikh Edmond Bleybel ) . It seems that prince Mansour decided to befriend the Christians after destroying the Shiites in his area who had plotted to kill him .The Gemayels came from Jaj in 1545 and met him. He honored them and granted them control over Bikfaya and its northem suburbs and sent them immediately to it. It is told that the Gemayels came to Bikfaya carrying the picture of Mar abda. With them came to Mhaidseh the Maalouf family and the two families became even closer when a member of the Maalouf family ( today known as klink ) married the sister of father Antoun Gemayel and was blessed with two children one of whom became a priest. In 1587 father Antoun sought to build a church in Bikfaya, so he donated one thousand Kobrosy to this cause. However , this sum was not enough and the number of inhabitants of Bikfaya was little, so father Antoun resorted to his brother-in-law and nephew for help and unified the efforts of the two towns and implemented his project next to an old oak tree. The tree is estimated to be around 1000 years old and its trunk still remains visible until our present day. Antoun set in the south-eastern side of the church an altar in the name of Mar Abda for the Maronites an another in the north –eastern side in the name of Our Lady for the Greek Orthodox (Bleybel). Dweihy says in his book: the history of the Maronites page 181 :…and in the year 1587 (996H) father Antoun of Gemayel family built the church of Mar Abda in the village of Bikfaya and had it illustrated by Elias al-Hasrouny. He spent on it 1000 Kobrosy in addition to donations by the residents of Bikfaya and other philanthropists… then Patriarch Sarkis followed in the steps of his predecessors and raised father Antoun to Archbishop as a reward for his efforts.
في أواخر القرن التاسع عشر، بدأت الإرسالية الأميركية الإنجيلية مهمّتها في مدينة زحلة. قامت هذه البعثة ببناء كنيسة بتصميم يشبه بيوت المدينة في تلك الحقبة الزمنية. في بداية القرن الحادي والعشرين، بعدما بدأ عدد المؤمنين بالانخفاض، تم شراء الكنيسة من قبل دير مار أنطونيوس الكبير التابع للرهبنة اللبنانية المارونية، وتحويلها إلى كنيسة مخصصة للقديسة رفقا.
The Church of St. Rafqa - Zahle
In the last decades of the 19th century, an American evangelical mission was established in Zahle. This mission built a church in the local architectural style of houses during that time. In the beginning of the 21st century, after the number of evangelicals began to dwindle, the church was bought by the Monastery of St. Anthony the Great of the Lebanese Maronite Order, who converted it into a chapel dedicated to St. Rafqa. Iglesia de Santa Rafka - Zahle En las últimas décadas del siglo XIX se estableció en Zahle una misión evangélica estadounidense. Esta misión construyó una iglesia según el estilo arquitectónico local de las casas de la época. A principios del siglo XXI, después de que el número de evangélicos empezara a disminuir, la iglesia fue comprada por el Monasterio de San Antonio el Grande de la Orden Libanesa Maronita, que la convirtió en una capilla dedicada a San Rafka.
The church dates back to the Phoenician era with a high vault. The great frensh orientalist Ernest Renan retraced its history with its huge stone pillars. The church had a great Phoenician tympant with two snakes revolving around a globe. The huge stone was taken to the Louvre museum by Renan. The final stage and most recent construction dates back to 1870 when the church was rededicated by bishop Yousef el Marid. St George’s painting over the altar is the work of Paul Shlavek
تعود الى العهد الفينيقي لأنها مبنيّة بعقد قصبة مرتفعة وكانت معبدًا وثنيًّا. أشار إرنست رينان الى وجود اعمِدة أثريّة استُعملت في مداميك البناء. رُمّمت وزيد عليها مع تعاقب المراحل التاريخيّة. رينان انتزع عتبة الكنيسة وأرسلها الى متحف اللوفر في باريس، وهي تحمل نقشًا من الرموز التي كانت شائعةً في الدين الفينيقي يمثّل كرةً تلتفُّ حولها حيّاتٌ مجتمعة الأذناب في أعلاها رُمِّمت هذه الكنيسة عدَّة مرّات، وكُرِّست عام 1870 بيد المطران يوسف المريض. وصورة مار جرجس فيها هي بريشة الرسّام بولس شلافك
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