دير مار بطرس وبولس - قطّينبناه المطران سمعان عوّاد الحصروني سنة ١٧٣٦ أيّام حبريّة البطريرك يوسف ضرغام الخازن، وكان مزرعةً صغيرة. سلّم المطران الدّير للرهبانيّة الأنطونيّة المارونيّة سنة ١٧٦٠، فبنى الرهبان الكنيسة ووسّعوا الدّير واستُخدم فترة قصيرة كدير للراهبات العابدات الأنطونيّات. سنة ١٨٦٠ تعرّض الدّير للتخريب إبّان الأحداث الطائفيّة. أعيد ترميمه ليخدم رسالته وجلبت للكنيسة لوحة إيطاليَة لمار بطرس وبولس مع الذخيرة الرسوليّة. سنة ٢٠١٧ بنيت بقرب الدّير محبسة مكرّسة لمار يوسف حارس الفادي.The monastery of Sts Peter and Paul - QattynThe monastery was built in 1736 by bishop Gebrayel Awad from Hassroun, and consisted of a small farm. In 1760 the bishop handed over the monastery to the Antonine Maronite Order, who enlarged the building and built the church. The monastery was shortly used as a nunnery for solitary Antonine nuns. The monastery was devastated in the war of 1860. After the war it was renewed, an Italian painting and the apostolic relic where brought from Rome and enshrined in the church. In 2017 a hermitage dedicated to St Joseph the guardian of the Redeemer was built near the monastery.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
Saint Michael Convent, Antelias - Bikfaiya Road, Lebanon
(ساقية المسك) دير مار ميخائيل - بحرصاف
1740
Bhersaf
Metn
Mount Lebanon
بنى دير مار ميخائيل مشايخ آل بليبل سنة 1740. تسلَّمت الرهبانيَّة اللبنانيَّة هذه الوقفيَّة من الشيخ عبد الأحد بليبل، في تشرين الثاني 1756، بموجب صكٍّ مكتوبٍ وموقَّعٍ ومصدَّقٍ، لكي "تعلِّم الأولادَ وتفيد القريبَ... والأنفس حسب الإمكان"... شيَّدت الكنيسة الجديدة، سنة 1905. وبدأت، سنة 1997، ورشة ترميمٍ للكنيسة وإلباسها حلَّةً جديدة. يتابع دير مار ميخائيل رسالتَه الثقافيَّة بالإضافة إلى نشاطاته الرعويَّة.
The Monastery was built by the Bleibels a feudal lords family in 1740. It was put under the custody of the Lebanese Maronite Order by Sheikh Abd el Ahad Bleibel in 1756, in a decree that widens the mission of the monastery to education and pastoral work. The church was rebuilt in 1905. And since 1997 the monastery was renewed to continue the mission.
الدّير عبارة عن كهفٍ طبيعيٍّ يقع في وسط الجُرف الصخريّ ويضمُ كنيسةً ومدفنًا وبعض القلالي. يتمّ الوصول إليه عبر درجٍ من الحجارة المنحوتة. بنى الدّير رهبان مونوفيزيّين جاؤوا من الحبشة في القرن الثاني عشر بقصد التنسك. الكنيسة كناية عن تجويفٍ طبيعيًّ حُفرت حنيتها على شكل عقدٍ مكسورٍ مُليّسة بالكلس، ومزيّنة برسومٍ جداريّة ذات أشكال هندسيّة تنتمي لفنّ الكنيسة الحبشيّة. في الكنيسة كذلك مذبح مربّع الشكل.
The monastery of St George of the Abyssinians - the valley of Qannoubine
The monastery is a natural cave in a cliff consisting of a church, a necropolis and some cells. It is accessible trough a carved stair. The monastery was built by Jacobite monks from Abyssinia during the XIIth century. The church is a natural cave with a carved apse covered by limestone gypson with a geometrical motif fresco from the Ethiopian art tradition, the church also has a squared altar.
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