كنيسة مار إدنا - عين عكرينتقوم كنيسة مار إدنا في خراج بلدة عين عِكرين. بنيت على عِدَّة مراحل على أنقاضٍ رومانيّة قديمة. فهي بسوقٍ واحدٍ بعقدٍ سريريّ يحتوي على حنيَّة مُكوَّرة، وثلاثة قناطر في الجدار الجنوبيّ. على الحائط الشماليّ، بقايا جِداريّة، تعود الى القرون الوسطى . في الكنيسة لوحة نادرة لمار إدنا مرسومة على النحاس، كما وجد في داخلها بقايا رومانيّة. ومار إدنا هو لقب سريانيّ لمار طراخونبوس وهو شهيد من القرن الثالث وشفيع الأذن.The church of St Edna - Aïn EkrinThe ancient church stands in the vicinity of Aïn Ekrin built several stages over roman ruins. It consist of one nave with a crib vault, ending with a semi circular apse. The southern wall consists of three arched windows. The church holds a rare icon of St Edna painted on copper, and many roman poteries. The church also holds a medieval fresco. Edna is a Syriac nickname given to St Trakhonios, a Third century martyr, and the patron saint of ears.
بُنيت سنة ١٤٧٠ بحسب تأريخ الشدياق انطونيوس العنطوري، وورد ذكرها كذلك مع البطريرك اسطفانوس الدويهيّ في تاريخ الأزمنة. البناء الحاليّ يعود لسنة ١٨٦٨، لكنّ الكنيسة رُممّت ووسّعت على عدّة مراحل. تتميّز الكنيسة بعقدها المصالب ذات اللونين وهو من حجر مقالع البلدة المحليّ. في سبعينيّات القرن العشرين أضاف أحد أبناء البلدة المغترين قبّة الساعة. تضمّ الكنيسة ثلاث لوحات للفنّان داوود القرم، أمّا الزجاجيّات فهي من عمل الأب عبده بدوي.
The church of Sts Sergius and Bacchus - Tourza
The church was built in 1470 according to the chronicles of the Subdeacon Antonyos El Aintoury, and it is also mentioned in Patriarch Stephen El Douaihy's "History of the Times". The current building dates back to 1868, yet the church was restored and enlarged on many occasions. The church consists of a crossed vault with two colors stones from the local quaries. During the seventies an emigrant donated the unique clock tower. The church holds three paintings from Dawoud Al Qorm dating back to 1892, and stained glass windows by Fr Abdo Badawi.
كنيسة مار سابا الأثريّة St.Saba church, Edde, Lebanon
كنيسة مار سابا
Edde El-Batroun
Batroun
North
كنيسة مار سابا - اده البترون بناها الصليبيون في القرن الثاني عشر. كانت قديمًا مغطات بالكامل بجداريات بيزنطيّة لم يسلم منها سوى القليل رممت سنة ٢٠١٢. كنيسة مار سابا هذه، سبق للبطريرك إسطفان الدويهي أن أشار اليها عندما إستطاع ان يقرأ فيها مدوَّنةً سريانية تَصِف إنتصاراً احرَزَهُ الموارنة عندما ردّ وا هجومًا شنَّه السلطان بيبرس على طرابلس في العام 1266، مما أتاح للدويهي ان يحدّد العهد الذي تعود اليه جدرانيات هذه الكنيسة ومما يفسر الهندسة الدفاعية والنشابيات. ويتابع الدويهي قائلاً أن الموارنة شيَّدوا عندئذٍ عدَّة كنائس إحتفالاً بإنتصارهم هذا، ورسموا صوراً تخليداً له. وهناك مقطع لا يزال مرئياً في الاطار الذي يعلو صورة رقاد العذراء. ومن ذلك العهد العائد الى ما بعد العام 1266 يمكننا ان نرى صورةً للعذراء جالسةً وحاملةً طفلها. هذه القصة سردها الدويهي في كتاب تاريخ الازمنة.
St Sabba’s church - Eddeh el Batroun Built by the Crusaders during the twelve century and covered entirely by byzantine frescoes (few remain today) and restored in 2012. This church was mentioned by patriarch Al Douaihy, in his book Tarikh Alazmina when he depicted syriac engravings on the frescoes narrating a Maronite victory over the Mamluk sultan named Bybars upon his assult on Tripoli in 1266, this information allowed Douwaihy to date the frescoes, and explains the military structure of the church. This event is still visible in the frame of the Madona’s fresco dedicating the church to the great victory of the Maronites.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
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