Zouk Mosbeh – Couvent du Christ Roi

Deir Saydet el Natour, Hraiche, Lebanon

Name in arabic:  سيدة الناطور

City:  Enfeh

District:  Koura

Governorate:  North

History: 

The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.

The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.

According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.

In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.

During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.

St Mary Church, Qsaybeh, Lebanon

Name in arabic:  كنيسة سيّدة النجاة القصيبة

Year built:  1883

City:  Qsaibeh Baabda

District:  Baabda

Governorate:  Mount Lebanon

History: 

دُشّنت كنيسة سيّدة النجاة-القصيبة في عيد السيّدة سنة ١٨٨٣ بسعي وهمّة الخوري بطرس زيدان. تحتوي هذه الكنيسة على ثلاثة رسومات قيّمة لشفيعة الرعيّة (رسم داود القرم، ١٨٩٤) عليها كتابة: "من وجدني وجد الحياة ونال مرضاة الربّ" (أمثال ٨ /٣٥)، ومار مارون (رسم حبيب سرور، ١٩٢٣)، ومار بطرس(رسم جرجس عبدالله أبو جودة، ١٩١١).
من الملفت وجود عين العناية الإلهية على بيت القربان، رمزًا قّل استخدامه بعد منتصف القرن التاسع عشر في الفن المسيحي بعدما أخذ دلالةً ماسونيّةً.
رُمّمت الكنيسة في القرن الماضي وأُعيد تدشينها وتكريس المذبح الجديد في عيد السيّدة سنة ١٩٧٤.
Our Lady of Deliverance Church Qsaybeh
The church was consecrated on the feast of Assumption of Mary year 1883 with the efforts of Father Boutros Zeidan. Three main paintings are hung in the three apses. On the main apse, stands that of the Assumption of the Lady, painted by Dawoud El Qorm in year 1894, with the verse :"For whoever finds me finds life, and wins favor from the Lord" (Proverbs 8: 35) written below the virgin. On the side apses, one can find a painting that depicts Saint Maroun drawn by Habib Srour in 1923, and another one depicting Saint Peter, a work by Gerges Abdallah Abou Jaoudeh, year 1911.
What is remarkable is the presence of the Eye of Providence on the tabernacle, a symbol that was rarely used after the mid 19th century in Christian art for its relation with the Masonry.
The Church was renovated in the past century, and the Altar was reconsecrated on the feast of the Assumption of the Lady year 1974.

Wata El Jaouz, Lebanon

Name in arabic:  كنيسة سيّدة النجاة

Year built:  1706

City:  Mayrouba

District:  Keserwan

Governorate:  Mount Lebanon

History: 

كنيسة سيّدة النجاة - عين شقيق وطى الجوز

يعود تاريخ البناء إلى العام ١٧٠٦، تزامنًا مع عودة الموارنة التدريجيّة إلى أرضهم التي كانوا هُجِّروا منها بعد حملة المماليك. وقد بُنِيَت في أرض الشيخين حصن وصخر ولدا الشيخ ابو قانصوه فيّاض الخازن من غوسطا، لذلك تُعرَف بـ "عين شقيق". سكن الدير أوّلاً الرهبان الأنطونيّون سنة ١٧٢٠ الى سنة ١٧٣٩ بعدهم الرهبان الأرمن عام ١٧٥٠ ولكنّهم ما لبثوا أن تركوها بعد مدّة وجيزة. عقد فيها مجمع عين شقيق، سنة ١٧٨٦ عقب المجمع اللبنانيّ، أيّام البطريرك يوسف اسطفان، ومن أبرز المواضيع التي تداولها اعتماد دير بكركي مقرًّا للبطريركيّة، والتنسيق بين الأساقفة والأعيان ودور كلّ منهما في الأبرشيّة. كما وطرح قضيّة الراهبة هنديّة عجيمي التي حُرِمَت فيما بعد. وثبّت آباء المجمع عيد مار يوحنّا مارون، في اليوم الثاني من شهر آذار وكان يُحتَفَل به آنفًا في التاسع من شباط مع مار مارون. اختتم المجمع أعماله على عجل يوم الإثنين ١١ أيلول، بسبب وفاة المطران أرسانيوس شكري. اليوم، لم يبقَ من الدير سوى غرفتَين متلاصقتين بالكنيسة، وجدران غرفة ثالثة منفصلة. أمّا صورة السيّدة فهي بريشة كنعان ديب الدلبتاوي، قدّمها الخوري جرجس لطيف عام ١٨٥٤.

The church of Our Lady of Deliverance - Ain shqaiq Wata el Jawz

The church dates back to 1706, recurring with the Maronite’s return to there ancestral lands after the Mamluk’s campaign. The church was built in the land of the two lords brothers Hosn and Sakher sons of Abu Qanso Fayad el Khazen from Ghosta, hence the name Ain Shqaiq (brothers in arabic). The complex was inhabited first by the Antonine monks from 1720 to 1739 and for a short period by the Armenian monks in 1750. In this church was held the council of Ain Shqaiq in 1786, during the pontificate of Patriarch Youssef Estefan. The council decreed that the patriarchal residence should be in Bkerke, the nature of the relations between the bishops and the lords, the case of nun Hindye Ajaimy later excommunicated, and it appointed the feast day of St John Maroun on 2 March (it used to be celebrated on the same day as St Maroun.) The council came abruptly to an end on the 11th of September due to the death of bishop Arsanios Shekry. Today all what remains of the complex are two rooms adjacent to the church. The painting of the Madonna is by Kanaan Dib donated by Fr Gerges Lteif in 1854.