كنيسة السيّدة القديمة - صربا النبطيّةكان البناء أساسًا جزءً تابعًا للقلعة العثمانيّة القريبة منه، إشتراه أهل البلدة وحوّلوه إلى كنيسةٍ كرّسها المطران بولس بصبوص سنة ١٩١١. البناء كناية عن سوقٍ واحد مسقوفٍ بالقرميد. رُمّمت سنة ٢٠٠٥. تحوي الكنيسة لوحةً للعذراء محليّة الصنع تعرّضت للضرب بالرصاص خلال الحرب العالميّة الأولى.The old church of Our Lady - Sarba el NabatiehThe building was originally a part of the nearby Ottoman castle, the villagers bought it and converted it into a church that was consecrated by Bishop Boulos Basbous in 1911. The church consists of a single nave with a brick roof, it was renovated in 2005. In the church is displayed a local painting of the Madonna that holds marks of Ottoman bullets from World War I.
- Couvent Saint Antonios - الرهبنة اللبنانية المارونية OLM, Wata Houb, Lebanon
دير مار أنطونيوس - حوب تنورين
1700
Ouata Houb
Batroun
North
بُني الدير سنة 1700، آن عَرض الشيخ سليمان الهاشم العاقوريّ على الرهبانيَّة اللبنانيّة المارونيّة أن يسلِّمها مزرعة حوب لتنشئ فيها ديرًا. حوالي سنة 1714، عرض أهالي تنُّورين على المؤسِّس المطران عبدالله قراعلي، أن يسلِّموه وقف مار ضومط، لتقوم الرهبانيَّة بتعليم الأحداث. أنشأت الرهبانيَّة، سنة 1749، ديرًا على اسم العذراء مريم، على أنقاض كنيسةٍ قديمة. ومن ثمَّ عملت الرهبانيَّة على توسيع أملاكها في المحلَّة. سنة 1766، أوقف الأمير يوسف شهاب خرائب مار يعقوب الوادي ومار أنطونيوس. وسنة 1790، جعلت الرهبانيَّة دير السيِّدة ودير مار أنطونيوس ديرًا واحدًا، حيث هو اليوم، على اسم القدِّيس أنطونيوس الكبير. قرب الدير أُنشئت محبسة على اسم مار جرجس خرّجت كوكبة من الحبساء القدّيسين. كنيسته تحوي مذابح رخاميّة ومجموعة زيتيّات أهمها لوحة مار انطونيوس الكبير لداود القرم.
The mission of the Lebanese Maronite order started in Tannourin during the year 1700 when a local feudal lord Sleiman Hashem el Akoury gave the order a farm in Houb to build a monastery. In 1714 Bishop Abdalla Qaraaly was given custody over the church of St Doumit in order to start a monastic school. In 1790 the monks joined the two monasteries of the Madonna and St Anthony into the one that stands today. Near the monastery St George’s hermitage was erected. The monastic church holds beautiful marble altars and many oil paintings. The most important painting is the one depicting St Anthony the Great, painted by Dawoud El Qorm
يروي التقليد أنّ القدّيس يوحنّا مارون، بنى الدير على أنقاض بيتٍ سكنه العبّاد يوم سيم اسقفًا على البترون في العام ٦٧٦، ونقل إليه هامة مار مارون وسمّاه ريش موران أي رأس مارون، وجعله كرسيّه بعد انتخابه بطريركًا سنة ٦٨٥. أقام في الدّير، البطاركة الموارنة المتعاقبون إلى دانيال الشاماتي. آل الدّير إلى الخراب بعد أن دمّره يوسف سيفا سنة ١٦٣٤. أعاد بناؤه البطريرك يوسف أسطفان سنة ١٧٨٧ وكرّسه على إسم مار يوحنّا مارون، وجعل فيه مدرسةً لتعليم الأحداث ما لبثت أن تحوّلت لإكليريكيّة سنة ١٨١٨ بأمر البطريرك يوحنّا الحلو. الديّر اليوم كرسيّ أساقفة البترون، وهو الشاهد على تاريخ الموارنة في لبنان.
The monastery of St John Maroun - Kfarhay
According to tradition, St John Maroun built the first monastery when he was the bishop of Batroun in 676 over a hermitage, and brought to it the holy relic of the forehead of St Maroun and named it Rish Moran or the head of St Maroun. He made the monastery his patriarcal seat when he was elected in 685. The succeeding patriarchs lived in the monastery until Daniel el Shamaty. The monastery was destroyed by Youssef Sayfa in 1634. Patriarch Youssef Estfen rebuilt it with a school and consecrated it to St John Maroun, the school was transformed into a seminary in 1818 by a decree of Patriarch Youhanna el Helo. The monastery is now the seat of the bishops of Batroun, and the witness to the Maronite history.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
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