كنيسة مار بطرس وبولس - قرنة شهوان
شيّد أهالي قرنة شهوان كنيسةً بإسم الرسولين بطرس وبولس في أواخر القرن السابع عشر دفع معظم أكلافها الحاج مفرج غبريل، وكرّسها المطران الياس محاسب سنة ١٧٢٠. تجدّدت باتّفاق وتبرّعات سكان القرية عمومًا بسعي المطران بطرس الزغبي نحو سنة ١٩٠٨. تجدّد بناء الكنيسة عام ١٩١٢ في عهد الخوري إلياس زعرور كاهن الرعية، فأتت برسمها الباريسي آية قي الجمال والإبداع. سنة ١٩٩٦، رُممت الكنيسة و رُسمت الزجاجيات. الكنيسة بناء نيوغوطيّ الطراز.
The church of Sts. Peter and Paul - Cornet Chehwan
The church was built in the late 17th century, and the greater part of its expenses were covered by Hajj Moufarrej Ghobril. It was consecrated by Bishop Elias Mhaseb in 1720. Through the initiative of Fr. Elias Zaarour and the locals, it was rebuilt in 1912 and reconsecrated by Bishop Boutros el Zoghby. The church was reconstructed in a Neo-Gothic style with Parisian-inspired decorations. In 1996, it was renovated and stained glass windows were added.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat
The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.
Church, who was baptized by St. Charbel, Bqaa Kafra, Lebanon
كنيسة سيّدة الإنتقال القديمة
Bqaa Kafra
Bcharre
North
كنيسة سيّدة الإنتقال القديمة - بقاع كفرا
الكنيسة القديمة يعود تأسيسها إلى نحو سبعمئة عام، تتميّز بالصليب المثلث الأطراف الموجود على عتبة بابها الرئيسيّ، وأيقونة السيّدة التي تعود للقرن السادس عشر، وجرن العماد القديم حيث قبل مار شربل سرّه الأوّل. لم يتوقف اهل هذه البلدة يومًا عن صلاة الفرض الإلهيّ حتى خلال فصل الشتاء القارس، اذ بنوا دهليزًا تحت الارض يصل البيوت بالكنيسة، ولكنّ معظمه قد سقط. سنة ١٩٢٥ دُعِّم العقد القديم ليتحمّل الكنيسة الجديدة فوقه.
The old church of Our Lady of Assumption - Bekaa Kafra
The old church was built in the XIVth century, it holds a medieval three branched cross on her tympanum. The church also holds the baptismal font of St Charbel, a XVIth century icon of the Madona and ruined catacombs that the local used to get to church during harsh winters to pray the office. In 1925 the new church was built on top of the old one. To accommodate this renewal the old vault was reinforced changing the medieval allure of the old church.
Reviews are disabled, but trackbacks and pingbacks are open.