Kaftoun – Monastery of our Lady

Daraya, North Governorate, Lebanon

Name in arabic:  كنيسة السيّدة

City:  Daraiya Zgharta

District:  Zgharta

Governorate:  North

History: 

كنيسة السيّدة - داريّا

بُنيت الكنيسة سنة ١٨٦٠ على أنقاض كنيسة أخرى أقدم عهدًا، بسعي الخوري مارون العلم، وكرّسها المطران بولس موسى رئيس أساقفة طرابلس. رُمّمت سنة ١٩٨٤. تحوي الكنيسة على ثلاث مذابح: السيّدة وفوقه لوحة لداوود القرم تعود لسنة ١٨٨٤، قلب مريم الطاهر، ومار يوسف.

The church of Our Lady - Daraya

The church was built in 1860 over an older church, with the overseeing of Fr Maroun Al Alam. It was consecrated by Boulos Moussa Archbishop of Tripoli. The structure was restored in 1884. The church holds three altars: the main one is dedicated to the Virgin Mary with a painting drawn by Dawoud el Qorm dating back to 1884, The Immaculate Heart of Mary, and St Joseph.

جبل الرحمة الالهية, Ghosta, Lebanon

Name in arabic:  دير المخلص الكريم

City:  Ghosta

District:  Keserwan

Governorate:  Mount Lebanon

History: 

دير المخلص الكريم - غوسطا

سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .

The Holy Savior Monastery - Kreim Ghosta

The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.

مار جرجس, Rachkida, Lebanon

Name in arabic:  دير مار جرجس - راشكيده

City:  Rachkida

District:  Batroun

Governorate:  North

History: 

يعود بنا هذه الكنيسة إلى القرون الوسطى وتتألف من كنيستين:
الكنيسة القديمة ‏جدرانها مكسوة بالجداريات. هي من النوادر في العمارة الكنيسة لأن فيها حنيتان يتوسطهم رسم المصلوب. مواضيع الجداريات: الشفاعة، العذراء على العرش محاطة بمار بطرس وبولس، ذبيحة النبي ابراهيم، آثار لجدرانيات أخرى باتت مندثرة.
اما الكنيسة الثانية فهي أحدث عهداً ملاصقة للأولى، مبنية على النمط البازيليكي بثلاث اسواق، وامامها رواق بالحجر المعقود.
بقيت الكنيسة مستخدمة الى القرن التاسع عشر حين نزح آخر موارنة البلدة. ومنذ عام ٢٠١٢ انطلق مشروع ترميم الكنيسة.


This church is built in the medieval ages, and is composed of two parts:
The old church has walls filled with frescoes. It is one of the very rare churches in which you can see the crucified drawn between two naves.
The drawings are as follows:
The Deisis, Mary the throne of wisdom, surrounded by Saints Peter and Paul, Abraham's sacrifice, in addition to different frescoes that are damaged and can hardly be seen now.
The second church is just next to the first, but built in a later era, in a basilical form with three aisles.
The church was still in use by the maronite community until the 19th century.
Since 2012 a project to renew the church was launched.