كنيسة مار لابي الرسول - حصرونبحسب أحد التقاليد بنى الملك حصرائيم (الذي منه اسم بلدة حصرون) قصرًا وهيكلًا في هذا الموضع تحوّل في الجيل الرابع إلى كنيسةٍ على اسم مار لابي وهو اللقب السريانيّ ليهوذا الرسول. بني القسم الشرقيّ من الكنيسة في القرن الثالث عشر، وأضيف سنة ١٧٧٠ القسم الغربيّ. أخذت الكنيسة شكلها مع الصليبيّين، وهي عقد سريريّ منخفض بحنية واحدة. تضمّ الكنيسة مجموعةً من اللوحات التي تعود للقرن الثامن عشر وهي مزيج بين الأيقونة المشرقيّة وفنّ عصر النهضة.The church of St Laby the Apostle - HassrounAccording to a folk tale, king Hassraym (from whom derived the name Hassroun) built a palace and a temple that was converted in the IVth century into a church dedicated to the apostle Laby (the syriac title given to Thaddeus or Jude). The eastern aisle was built in the XIIIth century. In 1770 the western aisle was built. During the crusaders era the church took its form, a single nave crib vaulted structure beneath the road. The church holds many XVIIth century paintings that are a representation of the local iconography being influenced by the art of the renaissance.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
دُشّنت كنيسة سيّدة النجاة-القصيبة في عيد السيّدة سنة ١٨٨٣ بسعي وهمّة الخوري بطرس زيدان. تحتوي هذه الكنيسة على ثلاثة رسومات قيّمة لشفيعة الرعيّة (رسم داود القرم، ١٨٩٤) عليها كتابة: "من وجدني وجد الحياة ونال مرضاة الربّ" (أمثال ٨ /٣٥)، ومار مارون (رسم حبيب سرور، ١٩٢٣)، ومار بطرس(رسم جرجس عبدالله أبو جودة، ١٩١١). من الملفت وجود عين العناية الإلهية على بيت القربان، رمزًا قّل استخدامه بعد منتصف القرن التاسع عشر في الفن المسيحي بعدما أخذ دلالةً ماسونيّةً. رُمّمت الكنيسة في القرن الماضي وأُعيد تدشينها وتكريس المذبح الجديد في عيد السيّدة سنة ١٩٧٤. Our Lady of Deliverance Church Qsaybeh The church was consecrated on the feast of Assumption of Mary year 1883 with the efforts of Father Boutros Zeidan. Three main paintings are hung in the three apses. On the main apse, stands that of the Assumption of the Lady, painted by Dawoud El Qorm in year 1894, with the verse :"For whoever finds me finds life, and wins favor from the Lord" (Proverbs 8: 35) written below the virgin. On the side apses, one can find a painting that depicts Saint Maroun drawn by Habib Srour in 1923, and another one depicting Saint Peter, a work by Gerges Abdallah Abou Jaoudeh, year 1911. What is remarkable is the presence of the Eye of Providence on the tabernacle, a symbol that was rarely used after the mid 19th century in Christian art for its relation with the Masonry. The Church was renovated in the past century, and the Altar was reconsecrated on the feast of the Assumption of the Lady year 1974.
هو من الأديار القديمة في الكنيسة المارونيَّة، بناه المرَدَةَ سنة ٨٥٠. إستولى عليه الحماديُّون حوالي سنة ١١٢١، مدَّةً من الزمن، فانتقل رهبانُه في أثنائها إلى دير سيِّدة إيليج. تَسَلَّمت الرهبانيَّةُ اللبنانيّة المارونيّة ديرَ ميفوق سنة ١٧٦٦، من الأمير يوسف الشهابيّ. انعقد في هذا الدير، مجمعًا إقليميًّا للكنيسة المارونيَّة، برئاسة القاصد الرسولي الأب بطرس دي مورينا و المطران ميخائيل الخازن سنة ١٧٨٠. سنة ١٨٥٠، أمضى فيه مار شربل سنة ابتداءٍ واحدة. أنشأت الرهبانيَّة معهدًا في الدير، سنة ١٩٢٢. وَمِن محفوظات دير سيِّدة – ميفوق، صورة سيِّدة إيليج الأثريَّة التي أُعيد ترميمُها بين سنتَي ١٩٨٢ ١٩٨٧. لعب الدّير دورًا على صُعُد التنشئة الرهبانيّة والوطنيّة دورًا بارزًا.
The monastery of Our Lady of Mayfouq - Mayfouq
One of the oldest Maronite monasteries built arround 850 by the Maradites. It was taken over by the Hamadi’s in 1121, and back then the monks moved to Ilige. The monastery was given to the Lebanese Maronite Order in 1766 by Prince Youssef Shehab. In 1780 a local Maronite council was held in the monastery presided by the papal delegate Fr Peter di Morina and bishop Mikael el Khazen. In 1850 St Charbel spent a year of his novitiate there. A school was founded by the order in 1922. The monastery holds the famous icon of our Lady of Ilige restored between 1982 and 1987. The monastery played a great national role and it was a major school of formation for the monks.
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