كنيسة مار جرجس - القليعةهي كنيسة البلدة الرعائيّة. بُنيت سنة ١٩٠٠ بسعي الخوري عبدالله لاشين، وكرّسها المطران بطرس البستاني مطران صور وصيدا آنذاك. الكنيسة بازيايكيّة الطراز بثلاث أروقة، والعقد يجتمع بقبّة دائريّة مزيّنة بجداريّة المسيح الفادي محاطًا بالإنجيليّين الأربعة. اللوحة الأساسيّة من عمل داوود القرم. أمّا الكنيسة من الخارج فهي بالحجر المقصوب مزيّنة بلونين من الحجارة.The church of St George - QlayaaThe parochial church of the town, the church was built in 1900 with the efforts of Fr. Abdalla Lachin and dedicated by Mgr. Boutros el Boustany archbishop of Tyr and Sidon back then. The church follows a basilical floor plan with three naves, and a circular dome decorated with a fresco of Christ the Redeemer surrounded by the four evangelists. The main painting of St George is by Dawoud el Qorm. The facade of the church is a decorative alteration of two kinds of colored stones.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
Saint Jacob Monastery (Couvent Saint Jacques), Karm Saddeh, Lebanon
دير مار يعقوب وكنيسة مار أنطونيوس البادوانيّ
Karm Saddeh
Zgharta
North
دير مار يعقوب وكنيسة مار أنطونيوس البادوانيّ – كرم سدّه
الدير كان قديمًا هيكلًا وثنيًّا رومانيًّا. تاريخ البناء الأوّل مجهول. سكنه اليعاقبة وتركوه في القرن الخامس عشر فأصبح خرابًا. جدّده عام ١٨٣٧ المطران بولس موسى رئيس أساقفة طرابلس لجعله كرسيًّا أسقفيًّا ومدرسة إكليركيّة لـمار أنطونيوس البادوانيّ، الذي على اسمه شُيّدت الكنيسة. عام ١٨٨٤ شيّد المطران إسطفان عواد الجهة الشرقية وجدّد عام ١٨٧٩ الإكليركيّة. عام ١٩١٢ وسّعه المطران أنطون عريضة، لكنّ الإكليريكيّة أغلقت أبوابها مع الحرب العالميّة الأولى إلى أن عادت لتفتح أبوابها سنة ١٩١٩. زارها عام ١٩٢٠ المفوّض السامي الفرنسي الجنرال غورو . شيّد المطران أنطون عبد عام ١٩٦٠ قسمًا جديدًا من الدير، وعام ١٩٩٦ بُني البناء الجديد. ضمّ هذا البناء سنة ١٩٩٨ كليّة العلوم اللاهوتية والدراسات الرعائية في الجامعة الأنطونيّة، بسعي المطران يوحنّا فؤاد الحاج.
Saint Jacob Monastery and Saint Anthony Padua Church - Karm Saddeh
The monastery was originally an ancient Roman pagan structure. The exact date of its initial construction is unknown. It was inhabited by the Jacobites and abandoned in the 15th century, falling into ruins. It was renovated in 1837 by Archbishop Paul Moussa, the head of the Archdiocese of Tripoli, to serve as an episcopal see and a seminary for Saint Anthony Padua, after whom the church was named. In 1884, Archbishop Estephan Awwad constructed the eastern side and renovated the seminary in 1879. In 1912, Archbishop Antoine Arida expanded it further, but the seminary closed its doors during World War I and reopened in 1919. It was visited by the French High Commissioner General Gouraud in 1920. Archbishop Antoine Abed built a new section of the monastery in 1960, and in 1996, a new building was constructed, which included the Faculty of Theology and Pastoral Studies at Antonine University, under the guidance of Archbishop Youhanna Fouad El-Hage.
كنيسة مار سابا الأثريّة St.Saba church, Edde, Lebanon
كنيسة مار سابا
Edde El-Batroun
Batroun
North
كنيسة مار سابا - اده البترون بناها الصليبيون في القرن الثاني عشر. كانت قديمًا مغطات بالكامل بجداريات بيزنطيّة لم يسلم منها سوى القليل رممت سنة ٢٠١٢. كنيسة مار سابا هذه، سبق للبطريرك إسطفان الدويهي أن أشار اليها عندما إستطاع ان يقرأ فيها مدوَّنةً سريانية تَصِف إنتصاراً احرَزَهُ الموارنة عندما ردّ وا هجومًا شنَّه السلطان بيبرس على طرابلس في العام 1266، مما أتاح للدويهي ان يحدّد العهد الذي تعود اليه جدرانيات هذه الكنيسة ومما يفسر الهندسة الدفاعية والنشابيات. ويتابع الدويهي قائلاً أن الموارنة شيَّدوا عندئذٍ عدَّة كنائس إحتفالاً بإنتصارهم هذا، ورسموا صوراً تخليداً له. وهناك مقطع لا يزال مرئياً في الاطار الذي يعلو صورة رقاد العذراء. ومن ذلك العهد العائد الى ما بعد العام 1266 يمكننا ان نرى صورةً للعذراء جالسةً وحاملةً طفلها. هذه القصة سردها الدويهي في كتاب تاريخ الازمنة.
St Sabba’s church - Eddeh el Batroun Built by the Crusaders during the twelve century and covered entirely by byzantine frescoes (few remain today) and restored in 2012. This church was mentioned by patriarch Al Douaihy, in his book Tarikh Alazmina when he depicted syriac engravings on the frescoes narrating a Maronite victory over the Mamluk sultan named Bybars upon his assult on Tripoli in 1266, this information allowed Douwaihy to date the frescoes, and explains the military structure of the church. This event is still visible in the frame of the Madona’s fresco dedicating the church to the great victory of the Maronites.
Reviews are disabled, but trackbacks and pingbacks are open.