كنيسة مار يوسف - دير الأحمر
بُنيت الكنيسة سنة ١٩١٤ بعناية ملحم القزح. هي كنيسة رعائيّة مسقوفة. رمّمت أوائل القرن الحاليّ. مذابح الكنيسة الثلاث الرخاميّة وأيقونة مار يوسف محليّة الصنع. أضيفت للكنيسة قبتها أواسط القرن العشرين.
The church of St Joseph - Deir el Ahmar
The church is a parochial church built by Melhem Qozah in 1914. The structure consists of a crib vault that was restored in the beginning of this century. The church holds three marble altars and St Joseph’s icon that are locally made. The bell tower was added in the mid XXth century.
كنيسة مار يوسف - وطى الجوز بنيت الكنيسة سنة ١٩١٧ فوق كنيسةٍ أقدم عهدًا. رمّمت وأخذت شكلها الحاليّ سنة ١٩٧٥. لوحة مار يوسف من عمل كنعان ديب الدلبتاوي تعود لسنة ١٨٦٨. تتميّز الكنيسة بقبّة حجريّة بشكل طابيّة كاهن يعلوها صليب.
The church of St Joseph - Wata el Jawz The church was built in 1917 over an older church, and took its final form in the restoration of 1975. The painting of St Joseph is made by Kanaan Dib in 1868. The bell tower is topped by a sculpture of a Tabye, the traditional maronite priestly hat, with a cross over it.
سنة ١٩٦١ أَذَن رئيس المجمع الشرقيّ الكاردينال تيسيران أن تنتقل ثلاث راهبات إسبانيّات كرمليّات من طقسهنّ اللاتينيّ الى الطقس البيزنطيّ بغية تأسيس دير كرمليّ مشرقيّ هدفه الصلاة لأجل وحدة الكنيسة. وقد شاءت العناية الإلهيّة أن تكون الراهبات من الأديار التي أسّستها تريزيا الأفيليّة بداية الإصلاح. إفتُتح الدّير في ٢٤ آب سنة ١٩٦٢. زاره البابوان يوحنّا بولس الثاني وبندكتوس السادس عشر إبّان زيارتيهما الرسوليّة الى لبنان. كنيسة الدّير بيزنطيّة الطابع مع فبّة، تتميّز كونها مغطاة بالجداريّات، وإيقونوستاز خشبيّ، وشعريّة الحصن للراهبات.
The Monastery of the Theotokos and the unity - Harissa
In 1961 his eminence Cardinal Tisserant agreed that three nuns join the Byzantine rite to create an oriental Carmelite nunnery with the aim of prayer to the unity of the church. The divine wisdom made the three nuns come from the original monasteries founded by St Theresa of Avila. The monastery was inaugurated on the 24 of august 1962. Popes John Paul II and Benedict XVI visited the monastery upon their visit to Lebanon. The monastery’s church is of Byzantine style with a dome and a wooden iconostatis, it is fully covered with frescoes and has a distinctive seperator to demark the cloister of the nuns.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
Reviews are disabled, but trackbacks and pingbacks are open.