El Mzekke Broummana – The monastery of St Isaiah

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Saint Isaiah (Mar Shaaya), Jouret El Ballout, Lebanon

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دير مار شعيا

Broummana El-Matn

Metn

Mount Lebanon

دير مار شعيا - المزكه برمانا سنة 1673 قام المطران جبرايل البلوزاني رئيس أساقفة حلب (البطريرك لاحقًا) بتأسيس حركة رهبانيّة تتبع قانون مار أنطونيوس الكبير وهدفها تبشير الدروز. سنة 1698 أُرسلت مجموعة من الرهبان لتأسيس ديرٍ في برمانا هم: سليمان الحجّة المشمشاني، وعطالله كريكر الشبابي، وموسى زمّار البعبداتي. فاشتروا أنقاض ديرٍ قديمٍ على تلّة بجوار برمانا. سنة 1700 بدأ الرهبان الأنطونيون تأسيس ديرٍ جديدٍ على اسم مار شعيا الراهب الحلبيّ. أصبح الدّير الدّير الأم للرهبانيّة الأنطونيّة الناشئة التي ثبّتها البابا أقليمنضوس الثاني عشر سنة 1740. إرتبط الأنطونيّون بدير التأسيس لدرجة أنّهم أصبحوا يتكنّون برهبان مار شعيا. أصبح الدير جسر علاقة بين الرهبانيّة وحكّام الجبل، أمراءِ آل أبي اللمع وآل شهاب الموحِّدّين ما حدا بأفرادٍ من الأسرتَين الكبيرتَين اعتناقَ الإيمانِ الكاثوليكي ونشره في مناطقَ متنيّة. تعاقبت الحروب على الدير وتركت بصماتِها الهدّامة من أحداث ١٨٤٠ و١٨٦٠، إلى الحرب العالميّة الأولى، وقد كانتِ الأشرس، فدمّر الجيش العثمانيّ الدير وأحرق مكتبته. رُمّم الدّير على مراحل عديدة وأُعيد بناؤه. كنيسة الدّير كناية عن عقدٍ مُصالبٍ ينتهي بحنية نصف دائريّة. تتميّز الكنيسة بخورسها الخشبيّ بين المذبح والسوق الرئيسيّ.كذلك تحوي الكنيسة أرغن الموسيقار الكبير الأب يوسف الأشقر أحد روّاد الموسيقى الكنسيّة المارونيّة. كذلك تحوي لوحة مار شعيا التي تعود لعام 1907، وجداريّة خلف المذبح من عمل الرسّام أسعد رنّو. The monastery of St Isaiah - El Mzekke Broummana In 1673 the archbishop of Aleppo Mgr. Gebrayel el Blouzany (later Patriarch), started a monastic movement according to the Rule of St Anthony the great, with the aim of evangelizing the Druze. In 1698 a small group of monks were sent to start a monastery in Broummana: Sleiman Hajje from Meshmesh, Atallah Kreiker from Beit Chabab, Moussa el Zemmar from Baabdat. In 1700 the monks bought the ruins of an old monastery on a hill in the vicinity of Broummana. The monastery was dedicated to St Isaiah the Aleppan monk, and the monastery became the motherhouse of the new order that was recognized by Pope Clement XII in 1740. The monks became commonly known as the monks of St Isaiah. The monastery became a mission hub and many Druze were converted by the monks, it was noted that many princes from the families of Shehab and Abi el Llamah became Maronites and helped spreading the catholic faith in the Metn region. The monastery suffered greatly during the wars of 1840 and 1860, it was severely damaged during World War I and its great library was burnt down. Yet it was always restored and rebuilt. The monastery's church is a crossed vault ending with a semi circular apse. The nave and the sanctuary are separated by wooden choir stalls. The church holds the organ of Fr. Boulos el Ashkar a pioneer in Maronite ecclesiastical music, a painting of St Isaiah from 1907 and a fresco of the saint by Assaad Renno.

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سنة ١٩٠٤ قُسِّمت كنيسة مار جرجس بين آل الراعي وآل الريّس. فقرّر يوسف الريّس البقاء مع أخواله في الكنيسة القديمة، لكنّه عاد سنة ١٩٠٦ وقرّر إنشاء كنيسة جديدة لمار جرجس مع عددٍ من عائلات البلدة. بقيت هذه الكنيسة مًقفلة حتّى ستينيّات القرن العشرين حين أّعيد افتتاحها وتكريسها على إسم مار الياس. الكنيسة مسقوفة وتحوي ثلاث حنايا. تضمّ الكنيسة ساعة طنّانة، وتحوي لوحةُ من عمل حبيب سرور.

The church of St Elijah - Hemlaya

In 1904 the old St George’s church was divided between the Rahi and the Rayess families. Back then Youssef El Rayess decided to stay with his uncles, yet in 1906 he decided to build a new church dedicated to St George with a number of the village’s families. This church remained closed until the sixties when it was rededicated to St Elijah. The church is a roofed structure with three apses, it holds a clocktower and contains a painting of St Elijah by Habib Srour.

Enfeh – Deir Saydet el Natour

Deir Saydet el Natour, Hraiche, Lebanon

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Koura

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The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.

The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.

According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.

In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.

During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.

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كنيسة مار تاودوروس الشهيد بحديدات

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يعود بناء الكنيسة للقرن العاشر، تحتوي على مجموعة جدرانيّات تعود إلى القرون الوسطى. هي من أكثر الكنائس المحافظة على طابعها الأول هندسةً، وتُجسّد الجدرانيّات التي زيَّنتها منذ القرن الثالث عشر، موضوعاتٍ من العهدين القديم والجديد.
تُجسّد الجدرانية قصَّة الخلاص المقسومة الى جزءين: الأوّل إلى الناحية اليمنى يُمثّل يدَي الربّ وموسى يتلقّى منهما الوصايا العشر، والى الناحية اليسرى ذبيحة النبي إبراهيم، وما بين الإثنين رسمٌ لعمانوئيل وسط القمر والشمس. والثاني الى اليمين يمثّل بِشارة العذراء، يليه رسم للنبي دانيال، ومار إسطفان. على الحائط الشماليّ صورة مار تاودروس، وعلى الحائط الجنوبيّ صورة القديس جاورجيوس. في الوسط ايقونة الشفاعة مع الملائكة وعلى مستوى المذبح صف الرسل الإثنا عشر.


The church was built during the tenth century, and contains a collection of medieval Syriac frescoes. It is one of the most preserved churches architecturally. The church was covered with frescos dating back to the 13th century and depicting themes from the Old and the New Testament. The main fresco represents on the right side the hand of God giving Moses the ten commandments, on the left the sacrifice of Abraham. In the middle is Emmanuel between the sun and the moon. The second part depicts the Annunciation, prophet Daniel, and Stephen the Protomartyr. On the northern wall one can find St Theodorus, and St George on the southern. In the main apse is the Deisis with angels, below it the row of the twelve apostles