كنيسة مار ميخائيل - بكفيّاسنة ١٥٩٠ حدث خلاف بين البطريرك سركيس الرزّي والمطران أنطون الجميّل الذي منعه من زيارة بكفيّا، فاستاء العديد من آل الجميّل جرّاء هذا الخلاف وناصروا البطريرك، ممّا دفعهم لبناء كنيسة جديدة سنة ١٥٩٢ بسعي الخوري عيسى الخرّاط مكرّسة لمار ميخائيل. توسّعت الكنيسة عدّة مرّات أهمّها سنة ١٨٨٧ حين أعاد تكريسها المطران نعمة الله سلوان، وبعد الحرب الأهليّة. تضمّ الكنيسة قبّة نيوغوطيّة يعلوها تمثال مار ميخائيل. لوحة مار ميخائيل هي للمستشرق وليم الألمانيّ تعود لسنة ١٨٣٩، أمّ لوحة العذراء فهي من رسم حبيب خوري سنة ٢٠٠٦.The church of St Michael - BikfayaIn 1590 a conflict happened between Patriarch Sarkis el Rezzi and bishop Antoun Gemayel who forbade him from visiting Bikfaya. Because of this mishap, many supporters of the patriarch from the Gemayel clan decided with father Issa Kharrat to build a church dedicated to St Michael in 1592. The church was enlarged and renovated on several occasions, the most important are 1887 when it was rededicated by bishop Nematullah Salean and after the Lebanese Civil War. The church holds a neo gothic bell tower. St Michael’s painting is the work of a german orientalist called William and dates back to 1839. The painting of the Madonna is painted by Habib Khoury in 2006.
بنى الموارنة كنيستهم الأولى في معراب على أنقاض هيكل رومانيّ وثنيّ. خُرّبت هذه الكنيسة الأولى مع حملة المماليك على كسروان سنة ١٣٠٥. أعاد أبناء البلدة بناء الكنيسة على إسم ما باسيليوس وغريغوريوس، وأخذت شكلها الحاليّ سنة ١٨٨٥. في هذه الكنيسة يرقد على رجاء القيامة المطران بولس فؤاد نعيم تابت (١٩٢٩-٢٠٠٩) وهو أوّل سفير بابويّ مارونيّ لبنانيّ.
The first church was built by the Maronites over a roman pagan temple. The church was destroyed during the Mamluk’s campaign on Keserwan in 1305. After their return, the villagers reconstructed the church and it was consecrated to Sts Basil and Gregory. It took its final shape in 1885. The church is the final resting place of Bishop Paul Fouad Naim Tabet (1929-2009), the first Lebanese Maronite Papal nuncio
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
Saint ELIE CHURCH كنيسة مار الياس, Hemlaya, Lebanon
كنيسة مار الياس
Himlaya
Metn
Mount Lebanon
كنيسة مار الياس - حملايا
سنة ١٩٠٤ قُسِّمت كنيسة مار جرجس بين آل الراعي وآل الريّس. فقرّر يوسف الريّس البقاء مع أخواله في الكنيسة القديمة، لكنّه عاد سنة ١٩٠٦ وقرّر إنشاء كنيسة جديدة لمار جرجس مع عددٍ من عائلات البلدة. بقيت هذه الكنيسة مًقفلة حتّى ستينيّات القرن العشرين حين أّعيد افتتاحها وتكريسها على إسم مار الياس. الكنيسة مسقوفة وتحوي ثلاث حنايا. تضمّ الكنيسة ساعة طنّانة، وتحوي لوحةُ من عمل حبيب سرور.
The church of St Elijah - Hemlaya
In 1904 the old St George’s church was divided between the Rahi and the Rayess families. Back then Youssef El Rayess decided to stay with his uncles, yet in 1906 he decided to build a new church dedicated to St George with a number of the village’s families. This church remained closed until the sixties when it was rededicated to St Elijah. The church is a roofed structure with three apses, it holds a clocktower and contains a painting of St Elijah by Habib Srour.
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