بنى دير مار ميخائيل مشايخ آل بليبل سنة 1740. تسلَّمت الرهبانيَّة اللبنانيَّة هذه الوقفيَّة من الشيخ عبد الأحد بليبل، في تشرين الثاني 1756، بموجب صكٍّ مكتوبٍ وموقَّعٍ ومصدَّقٍ، لكي "تعلِّم الأولادَ وتفيد القريبَ... والأنفس حسب الإمكان"... شيَّدت الكنيسة الجديدة، سنة 1905. وبدأت، سنة 1997، ورشة ترميمٍ للكنيسة وإلباسها حلَّةً جديدة. يتابع دير مار ميخائيل رسالتَه الثقافيَّة بالإضافة إلى نشاطاته الرعويَّة.The Monastery was built by the Bleibels a feudal lords family in 1740. It was put under the custody of the Lebanese Maronite Order by Sheikh Abd el Ahad Bleibel in 1756, in a decree that widens the mission of the monastery to education and pastoral work.The church was rebuilt in 1905. And since 1997 the monastery was renewed to continue the mission.
كنيسة تجلّي الربّ - غابة الأرز بدأ البناء سنة ١٨٤٤ مع الخوري يوحنا شبيعا، بموجب مرسوم بطريركيّ في عهد البطريرك يوسف حبيش. أُكمل البناء على مراحل سنتي ١٩٣٦ و١٩٨٣، وُرمّمت سنة ١٩٩٠. المذبح مصنوع من خشب الأرز المحفور من عمل الحرفيّ سليم أبي قبلان جعجع. أيقونة التجليّ تنتمي للمدرسة المقدسيّة.
The church of the Transfiguration of the Lord - The Cedar forest
The church was first built in 1844 by Fr Youhanna Shebaiaa, with a decree from Patriarch Youssef Hobeich. The construction was reworked in 1936 and 1983. The church was restored in 1990. The high altar is made of cedar wood by the craftsman Selim Abi Qabalaan Geagea. The icon of the Transfiguration is an issue from the school of Jerusalem.
Saint Nuhro Church - Smar Jbeil, Smar Jbeil, Lebanon
كنيسة مار نهرا
Smar Jbayl
Batroun
North
كنيسة مار نهرا - سمار جبيل
كنيسة مار نهرا التي تُعتبَر من اقدم الكنائس في الشرق، تعود الى القرن الثالث بعد المسيح، وهي تحمل شفاعة مار لوجيوس أي نوهرا الذي إستشهد في قلعة سمار جبيل القريبة منها بحسب التقليد. أوّل ذكرٍ لهذه الكنيسة ورد باللغة السريانية في كتاب إنجيل موجود في المكتبة الماديشية في فلورنسا. الكنيسة مبنيّة على مراحل من بقايا حجارة هيكلٍ وثنيٍّ قديم. وقد اصبحت هذه الكنيسة محجَّةً للَّذين يطلبون شفاعة مار نهرا، شفيع العيون. ونرى فوق مدخل الكنيسة الرئيسيّ سلسلةً حجريّةً معلَّقةً، من صنع الياس الخوري وهي مؤلفة من كتلة حجريّة واحدة. في الكنيسة نقوشًا مضغوطة في الكلس. في القسم الشماليّ الخارجيّ وهو قسم الموعوظين نجد بقايا نقوش من الهيكل الوثنيّ وبئر لتجميع الماء.
المذبح الكبير في الكنيسة تحفة فنيّة أمر به البطريرك بولس مسعد، من عمل المعلّم الياس بربري الحلبيّ ٢٠ تمّوز ١٨٧٠. يعلو المذبح الأوسط صورة زيتيّة لمار نهرا يُعتقد انها لداود القرم. وعلى المذابح الجانبيّة لوحات لداوود القرم: مار باسيليوس ١٨٩٢، السيّدة العذراء ١٨٧٨. كذلك زيتيّتين لكنعان ديب: السيّدة ومار مارون. ولوحة نحاسيّة تمثّل مشهد العماد. مؤخرًا إكتُشف في الكنيسة بقايا جداريّات باتت مجهولة المعالم.
St Nohra’s church - Smar Jbeil
The church of St Nohra is considered to be one of the oldest churches in the Levant dating back to the third century, and bares the patronage of St Logius, also known as Nohra, who was martyred in the nearby castle according to tradition. The first mention of the church comes from a medieval manuscript of a Bible in the florentine Medicci library. The church was built over different stages. The first stones were begotten from local pagan temples. It was an important pilgrimage site due to its patron, St Nohra, who is considered the patron saint of the eyesight. Above the northern entrance a chain carved from a single stone can be spotted, it was made by Elias el Khoury. Also in the church one can find many limestone engravings. The western exterior part is the narthex with a pagan sculpture and a well.
The high altar of the church was commissioned by Patriarch Boulos Masaad, and was finalized in the twentieth of July 1870 by the aleppan Elias Barbary. Above the altar is a painting of St Nohra attributed to Dawoud al Qorm. Above the two side altars are two paintings signed by Dawoud al Qorm: The Madonna 1878 and St Basil 1892. In the church are two older paintings for Kanaan Dib: the Madonna and St Maroun. One can also find a copper engraving depicting the baptism of Jesus. Lately medieval frescoes were discovered in the old part of the church yet they are in bad condition.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
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