دير مار ادنا - العاقورةادنا هو لقب سريانيّ لمار طراخونيوس، وهو من القدّيسين الأكثر شهرة عند موارنة القرون الوسطى. بني هذا الدّير سنة ٥٠٩ على أنقاضٍ رومانيّة ما زالت ماثلة، ويتألّف من كنيسة بخوروسين ما يزال القسم الجنوبيّ منها ماثل. بقيّة الدّير ودير البنات أي دير الراهبات العابدات الذي بقربه أنقاض. قنطرة الحنية مزيّنة بالعديد من الصلبان والنقوش التي ترمز للتجسد والفداء. كان الدّير مقرًّا لأساقفة العاقورة مدى قرون ومن أشهرهم البطريرك يوحنا السابع العاقوري الذي توفي سنة ١٣٥٧.The monastery of St Edna - AqouraEdna is a title given by syriacs to St Trakhonius, who was one of the most venerated saints by the medieval Maronites. The monastery was built in 509 over roman ruins that are still visible, and it consists of a two aped church, with the southern part of the church still standing. The rest of the church and monastery and the adjacent nunnery are all in ruins. The apse is decorated with crosses and symbols of the Incarnation and Redemption. The monastery was the seat of Aqoura’s bishops for centuries, the most famous of them was patriarch John VII El Aqoury who died in 1357.
تعود رسالة الآباء الكرمليّين في منطقة بشرّي إلى أواخر القرن السابع عشر. سكنوا أوّلاً دير مار أليشاع القديم وانتقلوا سنة ١٧٠٤ إلى دير مار سركيس. في ٩ آذار سنة ١٩٠٥، قام الأب سيريل دي سانتا ماريا، النائب الرسولي لجبل الكرمل، بزيارة بشرّي فاستقبله الأهالي وطالبوه بتوسيع الرسالة وإقامة مدارس. بدأ أبناء بشرّي البناء بمساعدات من فرنسا وبلجيكا وألمانيا سنة ١٩٠٨. سنة ١٩١٠ أكمل الأب جيوسيبي داربينو الجناح بناء الدّير والكنيسة، بمساعدة الكاردينال غوتي. الكنيسة كناية عن سوقٍ واحد بحنية نصف دائريّة وسقفٍ بغداديّ. الكنيسة مزيّنة بجدرانيّات للرسّام جرجس ديب الأورشليميّ وتمثل عدّة مشاهد من وحي روحانيّة الكرمل. يُعرف الدّير محليًّا "بالبادريّة" وهي تعريب لكلمة بادري أي الأب.
The Carmelite Convent of St Joseph - Bcharreh
The Carmelite mission Bcharreh goes back to the late XVIIth century. The fathers resided in St Elishah and moved in 1704 to St Sergius. On the 9th of March 1905 the Carmelite provincial Cyril Da Santa Maria visited the town and was demanded by the locals to enlarge the mission and build schools. After that the locals began building with financial help from France, Belgium, and Germany in 1908. Construction was completed in 1910 with Padre Joseppe Darbino who completed the building with the church with the help of Cardinal Gotti. The church consists of a single roofed nave with a semi circular apse. The church is decorated with frescoes by Gerges Dib from Jerusalem.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
بُنيت الكنيسة الأولى في القرن السابع عشر فوق بقايا هيكل رومانيّ على يد الخوري يرد الحدشيتي. أواخر القرن التاسع عشر أُعيد بناؤها على يد الخوري مخايل الخوري يونس وأُتِمَّ سنة ١٨٩٩. اللوحات الثلاث الرئيسيّة من عمل داود القرم، أمّا الجداريّات فهي أحدث عهدًا تعود لمنتصف القرن العشرين وهي من عمل مالك شحيبر طوق.
The church was first built in the 17th century over the ruins of a roman temple by Fr. Yard of Hadshit. During the 19th century the church was rebuilt by Fr. Mikhael el Khoury Younes in 1899. The three main paintings were done by Dawoud al Qorm, The murals are more recent from the mid 20th century by Malek Chehaiber Tawk.
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