Annaya – The monastery of St Maroun

Monastery Saint Maroun, Aannaya, Lebanon

Other Details

دير مار مارون

AAnaya

Jbeil

Mount Lebanon

دير مار مارون - عنّايادير للرهبانيّة اللّبنانيّة المارونيّة إنتهى العمل من بنائه سنة ١٨٢٨. وبين سنتي ١٨٣٨ و١٨٤١ أُكمِل بناء الكنيسة وجميع الأقبية. هو دير مارونيّ تقليديّ بجميع أقسامه من حوش ومضافة وكنيسة صغيرة. إشتهر الدّير لأنّه مقام القدّيس شربل مخلوف الذي حوّله إلى محجّ ومزار.The monastery of St Maroun AnnayaA monastery for the Lebanese Maronite Order built in 1828. The church and the vaults were completed between 1838 and 1841. It is a traditional maronite monastery with its vaults, cloister, reception room and small church. It was made famous by being the resting place of St Charbel Makhlouf who transformed it into a pilgrimage site.

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Hermel – The monastery of St Maroun on the Orontes

Hermel, Lebanon

دير مار مارون على نهر العاصي

Hermel

Hermel

Baalbek-Hermel

The monastery of St Maroun on the Orontes - Hermel

The monastery was originally a natural cave consisting of three sections, it was expanded by Roman builders working in nearby stone quarries. It is situated above Ain El Zarqa, one of the sources of the Orontes River, and connected to the river via a corridor carved into the mountainside. This was used to fetch water and provide a hiding place during enemy attacks. In the VIth century, Maronite monks sought refuge in the cave after facing persecution in northern Syria, where their monastery was destroyed and its contents dispersed. The monks expanded the cave and carved an altar, turning the cave into a new monastery. This marked the beginning of the Maronite migration to the mountains of Lebanon along the Orontes River. Over time, the monastery was neglected and became an abandoned farm. In 2011, it was visited by Patriarch Bechara Boutros Al-Rahi and has since been restored in 2018, returning to the Maronite Church. The monastery serves as a testament to the spread and perseverance of the Maronite Church in the Levant.

Kfarshleiman – The church of Our Lady of Naya

Sayyidat Naya Church, Kafr, Lebanon

كنيسة سيّدة نايا

Kfarb Shlaimane

Batroun

Mount Lebanon

كنيسة سيّدة نايا - كفرشليمان

كانت كفرشليمان مركزًا لمعبدٍ فينيقيّ تحوّل في القرن الخامس الميلادي مع إنتشار الديانة المسيحية، الى كنيسة على إسم سيّدة نايا (الكنيسة الجديدة). إزدانت الكنيسة برسوم وجدرانيات ونقوش مميزة على صخورها رمّمت عام ٢٠٠٧. في الكنيسة جداريّات الشفاعة ، الضابط الكلّ، العذراء المرضعة، مار أفسطاقيوس.
كان البطريرك يوسف التِيّان متنسكًا في هذه الكنيسة، بعدما إستقال من السّدة البطريركية جرّاء خلافه مع الأمير بشير الثاني الشهابيّ.

The church of Our Lady of Naya - Kfarshleiman

Kfarshleiman was the land of a Phoenician shrine that was converted in the Vth century into a Byzantine church dedicated to our Lady and named “nea” meaning new church. The church was ornate with frescoes that were restored in 2007 representing: the Deisis, the Pantokrator, the Nourishing Virgin, St Eustache.
The Patriarch Youssef el Tyan used the church as a hermitage for a while after he resigned from his seat due to the polemic with Prince Beshir the second Shehab.

Qsaibeh – Our Lady of Deliverance

St Mary Church, Qsaybeh, Lebanon

كنيسة سيّدة النجاة القصيبة

1883

Qsaibeh Baabda

Baabda

Mount Lebanon

دُشّنت كنيسة سيّدة النجاة-القصيبة في عيد السيّدة سنة ١٨٨٣ بسعي وهمّة الخوري بطرس زيدان. تحتوي هذه الكنيسة على ثلاثة رسومات قيّمة لشفيعة الرعيّة (رسم داود القرم، ١٨٩٤) عليها كتابة: "من وجدني وجد الحياة ونال مرضاة الربّ" (أمثال ٨ /٣٥)، ومار مارون (رسم حبيب سرور، ١٩٢٣)، ومار بطرس(رسم جرجس عبدالله أبو جودة، ١٩١١).
من الملفت وجود عين العناية الإلهية على بيت القربان، رمزًا قّل استخدامه بعد منتصف القرن التاسع عشر في الفن المسيحي بعدما أخذ دلالةً ماسونيّةً.
رُمّمت الكنيسة في القرن الماضي وأُعيد تدشينها وتكريس المذبح الجديد في عيد السيّدة سنة ١٩٧٤.
Our Lady of Deliverance Church Qsaybeh
The church was consecrated on the feast of Assumption of Mary year 1883 with the efforts of Father Boutros Zeidan. Three main paintings are hung in the three apses. On the main apse, stands that of the Assumption of the Lady, painted by Dawoud El Qorm in year 1894, with the verse :"For whoever finds me finds life, and wins favor from the Lord" (Proverbs 8: 35) written below the virgin. On the side apses, one can find a painting that depicts Saint Maroun drawn by Habib Srour in 1923, and another one depicting Saint Peter, a work by Gerges Abdallah Abou Jaoudeh, year 1911.
What is remarkable is the presence of the Eye of Providence on the tabernacle, a symbol that was rarely used after the mid 19th century in Christian art for its relation with the Masonry.
The Church was renovated in the past century, and the Altar was reconsecrated on the feast of the Assumption of the Lady year 1974.