Zouk Mosbeh – Notre Dame du Rosaire

Aabeidat, Lebanon

Name in arabic:  محبسة مار سمعان العاموديّ وادي البواليع

City:  Aabaydat

District:  Jbeil

Governorate:  Mount Lebanon

History: 

محبسة مار سمعان العاموديّ وادي البواليع - عبيدات

المحبسة عبارة عن تَجوِيفٍ مَحفُورٍ فِي الصَّخر، بِدَاخِله صُوَرٌ جُدرَانِيَّةٌ تعود إِلى القَرن الثَّاني عَشَر. مِن بَينِ هِﺬهِ الجُدرَانِيّات رَسمُ الشفاعة، وَكِتَابَةٌ سِرَيَانِيَّةٌ لَم يَبقَ منهَا وَمِن الرُّسُومِ إلّا القَلِيل بِسَبَب عَوَامِل الطَّبِيعَة وَجَهل الإِنسَان. يَتمُّ الصُعُودُ إِلَى غُرَفِ الدَّير بِوَاسِطة سَلَالِم خَشَبِيَّةٍ وَأُخرَى حَدِيدِيَّةٍ مُستَحدَثَةٍ.تُجَاوِرُ دَيرَ مَار سِمعَان كَنِيسَة مَارت مُورَا، وَهِيَ عِبَارَةٌ عَن نَقرٍ في الصَخرِ.بحسب الخبراء جداريّات عبيدات تعودُ لراسم جداريّات كنيسة مار تادرس بحديدات.

The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat

The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.

Deir Saydet el Natour, Hraiche, Lebanon

Name in arabic:  سيدة الناطور

City:  Enfeh

District:  Koura

Governorate:  North

History: 

The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.

The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.

According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.

In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.

During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.

- Couvent Saint Antonios - الرهبنة اللبنانية المارونية OLM, Wata Houb, Lebanon

Name in arabic:  دير مار أنطونيوس - حوب تنورين

Year built:  1700

City:  Ouata Houb

District:  Batroun

Governorate:  North

History: 

بُني الدير سنة 1700، آن عَرض الشيخ سليمان الهاشم العاقوريّ على الرهبانيَّة اللبنانيّة المارونيّة أن يسلِّمها مزرعة حوب لتنشئ فيها ديرًا. حوالي سنة 1714، عرض أهالي تنُّورين على المؤسِّس المطران عبدالله قراعلي، أن يسلِّموه وقف مار ضومط، لتقوم الرهبانيَّة بتعليم الأحداث. أنشأت الرهبانيَّة، سنة 1749، ديرًا على اسم العذراء مريم، على أنقاض كنيسةٍ قديمة. ومن ثمَّ عملت الرهبانيَّة على توسيع أملاكها في المحلَّة. سنة 1766، أوقف الأمير يوسف شهاب خرائب مار يعقوب الوادي ومار أنطونيوس. وسنة 1790، جعلت الرهبانيَّة دير السيِّدة ودير مار أنطونيوس ديرًا واحدًا، حيث هو اليوم، على اسم القدِّيس أنطونيوس الكبير. قرب الدير أُنشئت محبسة على اسم مار جرجس خرّجت كوكبة من الحبساء القدّيسين. كنيسته تحوي مذابح رخاميّة ومجموعة زيتيّات أهمها لوحة مار انطونيوس الكبير لداود القرم.

The mission of the Lebanese Maronite order started in Tannourin during the year 1700 when a local feudal lord Sleiman Hashem el Akoury gave the order a farm in Houb to build a monastery. In 1714 Bishop Abdalla Qaraaly was given custody over the church of St Doumit in order to start a monastic school. In 1790 the monks joined the two monasteries of the Madonna and St Anthony into the one that stands today. Near the monastery St George’s hermitage was erected. The monastic church holds beautiful marble altars and many oil paintings. The most important painting is the one depicting St Anthony the Great, painted by Dawoud El Qorm