Enfeh – Deir Saydet el Natour

Deir Saydet el Natour, Hraiche, Lebanon

Other Details

سيدة الناطور

Enfeh

Koura

North

The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian. The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it. According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk. In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour. During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.

Visited 3103 times, 2 Visits today

Reviews are disabled, but trackbacks and pingbacks are open.

Related Listings

Cornet Chehwan – The church of Sts. Peter and Paul

St Peter & Paul Church, Lebanon

كنيسة مار بطرس وبولس

Qornet Chehouane

Metn

Mount Lebanon

كنيسة مار بطرس وبولس - قرنة شهوان

شيّد أهالي قرنة شهوان كنيسةً بإسم الرسولين بطرس وبولس في أواخر القرن السابع عشر دفع معظم أكلافها الحاج مفرج غبريل، وكرّسها المطران الياس محاسب سنة ١٧٢٠. تجدّدت باتّفاق وتبرّعات سكان القرية عمومًا بسعي المطران بطرس الزغبي نحو سنة ١٩٠٨. تجدّد بناء الكنيسة عام ١٩١٢ في عهد الخوري إلياس زعرور كاهن الرعية، فأتت برسمها الباريسي آية قي الجمال والإبداع. سنة ١٩٩٦، رُممت الكنيسة و رُسمت الزجاجيات. الكنيسة بناء نيوغوطيّ الطراز.

The church of Sts. Peter and Paul - Cornet Chehwan

The church was built in the late 17th century, and the greater part of its expenses were covered by Hajj Moufarrej Ghobril. It was consecrated by Bishop Elias Mhaseb in 1720. Through the initiative of Fr. Elias Zaarour and the locals, it was rebuilt in 1912 and reconsecrated by Bishop Boutros el Zoghby. The church was reconstructed in a Neo-Gothic style with Parisian-inspired decorations. In 1996, it was renovated and stained glass windows were added.

Qrayeh Sidon – The church of St George

St Georges Maronite Church, Qraiyeh, Lebanon

كنيسة مار جرجس

Qraiyet Saida

Saida

South

كنيسة مار جرجس - القريّة صيدا

بُنيت الكنيسة الأولى مع قدوم المسيحيّين إلى البلدة في القرن الثامن عشر، وكانت كنيسة صغيرة قليلة الإرتفاع تعرف بالقبو. تعرّضت هذه الكنيسة للتخريب في أحداث سنة ١٨٦٠. سنة ١٩١٤ ومع ازدياد عدد الأهالي، تقرّر بناء كنيسةٍ أكبر في الموضع عينه. فبدأ المشروع في عهد المطران بولس بصبوص والخوري بطرس كسّاب، نفّذه المعمار الياس قسطنطين من عبرا. وهي كنيسة بسوقٍ واحد ينتهي بحنية وسقف قرميد. في ستّينيات القرن العشرين أضيفت إلى قبّتها برج للجرس عند الواجهة الغربيّة. اللوحة التصويريّة من عمل راجي الحاج تعود لسنة ١٩٣٩. تعرّضت الكنيسة للعبث سنة ١٩٨٥ مع تهجير المسيحيّين من شرق صيدا، وأخذَت حلّةً جديدةً بالترميم في أواخر تسعينات القرن العشرين.

The church of St George - Qrayeh Sidon

The first church was built with the settlement of christians in the region in the XVIIIth century. It was known as the Qabou (the cellar) hence it was a small structure. It was sabotaged in the war of 1860. In 1914 with the growth of the congregation, the village needed a new church. The construction began during the pontificate of Bishop Boulos Basbous and Fr. Boutros Kassab, construction was executed by Elias Constantin from Abra. The church is of a single nave ending with an apse, and a brick roof. During the late sixties a bell tower was added to the original old one on the western side. The painting is the work of Raji el Hajj 1939. The church was sabotaged during the civil war in 1985, and restored in the last decade of the XXth century.

Qsaibeh – Our Lady of Deliverance

St Mary Church, Qsaybeh, Lebanon

كنيسة سيّدة النجاة القصيبة

1883

Qsaibeh Baabda

Baabda

Mount Lebanon

دُشّنت كنيسة سيّدة النجاة-القصيبة في عيد السيّدة سنة ١٨٨٣ بسعي وهمّة الخوري بطرس زيدان. تحتوي هذه الكنيسة على ثلاثة رسومات قيّمة لشفيعة الرعيّة (رسم داود القرم، ١٨٩٤) عليها كتابة: "من وجدني وجد الحياة ونال مرضاة الربّ" (أمثال ٨ /٣٥)، ومار مارون (رسم حبيب سرور، ١٩٢٣)، ومار بطرس(رسم جرجس عبدالله أبو جودة، ١٩١١).
من الملفت وجود عين العناية الإلهية على بيت القربان، رمزًا قّل استخدامه بعد منتصف القرن التاسع عشر في الفن المسيحي بعدما أخذ دلالةً ماسونيّةً.
رُمّمت الكنيسة في القرن الماضي وأُعيد تدشينها وتكريس المذبح الجديد في عيد السيّدة سنة ١٩٧٤.
Our Lady of Deliverance Church Qsaybeh
The church was consecrated on the feast of Assumption of Mary year 1883 with the efforts of Father Boutros Zeidan. Three main paintings are hung in the three apses. On the main apse, stands that of the Assumption of the Lady, painted by Dawoud El Qorm in year 1894, with the verse :"For whoever finds me finds life, and wins favor from the Lord" (Proverbs 8: 35) written below the virgin. On the side apses, one can find a painting that depicts Saint Maroun drawn by Habib Srour in 1923, and another one depicting Saint Peter, a work by Gerges Abdallah Abou Jaoudeh, year 1911.
What is remarkable is the presence of the Eye of Providence on the tabernacle, a symbol that was rarely used after the mid 19th century in Christian art for its relation with the Masonry.
The Church was renovated in the past century, and the Altar was reconsecrated on the feast of the Assumption of the Lady year 1974.