كنيسة مار ضومط - زوق مكايل
بنى الكنيسة الشيخ موسى الخازن سنة ١٧٢٨ وكانت وقفيّةً لآل الخازن. الكنيسة عقد مزدوج فريد بزخرفته ومقرنصاته وفتحات الضوء في السقف. كانت الكنيسة لزمنٍ طويل مرتبطة بعائلة الخازن إلى أن قامت بين سنتيّ ١٩٠٢ و ١٩٠٤ عاميّة زوق مكايل. في ذلك الزمان هدّد الأهالي بتحوّلهم إلى المذهب الأنغليكانيّ، ولتحول البطريركيّة دون ذلك، حوّلت وقفيّة الكنيسة من عائلة الخازن إلى أهالي البلدة، وخصّ البطريرك الياس الحويّك الرعيّة بزيارةٍ حبريّة وبعددِ من الإنعامات. تضمّ الكنيسة العديد من اللوحات والتحف الكنسيّة القيّمة. رمّمت في ثمانينات القرن العشرين.
The church of St Doumit - Zouk Mikael
The church was built in 1728 by Sheikh Moussa el Khazen as a private church for the Khazen family. The structure is ornate with arabesque decoration and lucarnes in the vault, blending cribbed and crossed vaults. The church was a fiefdom of the Khazen family until the uprising of the peasants between 1902 and 1904. Back then the Maronite Patriarchy made the church a parish for the people to prevent them from turning to anglicanism. Also the Patriarch Elias Howayek made a pontifical visit to the parish and gave the parish many indulgences. The church holds a lot goldsmith artifacts and paintings. The building was renovated in the eighties of the XXth century.
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
Saint John the Baptist Church - كنيسة مار يوحنا المعمدان, Aamchit, Lebanon
كنيسة مار يوحنّا المعمدان
Aamchit
Jbeil
Mount Lebanon
كنيسة مار يوحنّا المعمدان - كفركخلي عمشيت
بُنيت كنيسة أولى في الموضع سنة ١٧٥٠ على اسم مار روحانا. أواخر القرن التاسع عشر وُسِّعت على شكل عقدٍ مُصالبٍ وكُرّست على اسم مار يوحنّا المعمدان لتُصبح كنيسةً رعائيّة. تضمّ الكنيسة ثلاث لوحات محليّة الصنع: عماد المسيح، مار روحانا ومار يوسف.
The church of St John the Baptist - Kfarkekhly Amchit
The first church was built in 1750 and dedicated to St Rouhana. The current large crossed vaulted structure was built in the late XIXth century and dedicated to St John the Baptist as a parochial church. The church holds three locally made paintings: The Theophany, St Rouhana, St Joseph.
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