كنيسة مار ميخائيل - سرعل
بُنيت الكنيسة الأولى في القرن الثاني عشر. سنة ١٨٨٥ قرر الأهالي تشييد كنيسة جديدة. سنة ١٨٩٧ إنتهى بناء الكنيسة الجديدة. زيّن الكنيسة بالجداريّات الفنّان راجي دانيال السرعلي، سنة ١٩٥٥، وسنة ٢٠٠٢ رمّم اللوحات وزاد عليها الفنان حبيب خوري. رتّلت فيها السيّدة فيروز أناشيد الفصح سنة ٢٠١٠. تضمّ الكنيسة جثمان كاهنها الخوري يوسف أبي مارون معتوق الذي اشتهر بقداسة السيرة وبقي جسده سالمًا من الفساد.
The church of St Michael - Sereel
The first church was built in the XIIth century, and in 1889 the new church was built on top of it. The church was decorated with frescoes in 1955 by Daniel el Seraaly. In 2002 the frescoes were renovated and added upon by Habib Khoury. In 2012 Fairouz chose the church to sing the easter hymns. The church holds the remains of Fr Youssef Abi Maroun Maatouk who was a saintly figure and his body was incorruptible.
On the northern side of the village of Kousba, is the monastery of Our Lady of Hamatoura, built in the rocky hollow of a high cliff which overlooks the holy valley of Kadisha. Hamatoura is 84km from Beirut.
The church of Saint Jacob is the most ancient part of the monastery, belonging to the 4th century, while a large cross from the 7th century rises above the outer doorway. Some quite well preserved frescoes dating back to the middle ages cover the walls of the church, one of which shows the Holy Virgin, Queen of Heaven, seated on a throne with the Child Jesus on her knees.
Near the monastery are two venerable churches, one dedicated to Saint Michael and the other to Saint John the Baptist. On the top of the hill one can see the church of St. George. Close by the monastery is a rocky cave where one may perceive the base of a stalagmite, where barren women come to pray in the hope of bearing a child, for this grotto was dedicated to the pagan goddess of fecundity.
Late in the 13th century, at Our Lady Monastery in Hamatoura, Saint Jacob began his ascetic life. Later, when the monastery was destroyed by the Mamlukes, he reestablished monasticism along the perimeter of the ruined monastery. In time, he rebuilt the monastery, regenerating and giving renewed vigor to monastic life in the area. His spiritual briskness, vivacity, and popularity among believers drew the attention of the Mamelukes who set their minds to stop his verve and determination and force him to convert to Islam. He stubbornly refused their relentless pressures. The Mamlukes killed him and burned the church. Today, believers and pilgrims are constantly reporting his apparitions, miraculous healings and other Grace-filled deeds.
يعود تاريخ البناء إلى العام ١٧٠٦، تزامنًا مع عودة الموارنة التدريجيّة إلى أرضهم التي كانوا هُجِّروا منها بعد حملة المماليك. وقد بُنِيَت في أرض الشيخين حصن وصخر ولدا الشيخ ابو قانصوه فيّاض الخازن من غوسطا، لذلك تُعرَف بـ "عين شقيق". سكن الدير أوّلاً الرهبان الأنطونيّون سنة ١٧٢٠ الى سنة ١٧٣٩ بعدهم الرهبان الأرمن عام ١٧٥٠ ولكنّهم ما لبثوا أن تركوها بعد مدّة وجيزة. عقد فيها مجمع عين شقيق، سنة ١٧٨٦ عقب المجمع اللبنانيّ، أيّام البطريرك يوسف اسطفان، ومن أبرز المواضيع التي تداولها اعتماد دير بكركي مقرًّا للبطريركيّة، والتنسيق بين الأساقفة والأعيان ودور كلّ منهما في الأبرشيّة. كما وطرح قضيّة الراهبة هنديّة عجيمي التي حُرِمَت فيما بعد. وثبّت آباء المجمع عيد مار يوحنّا مارون، في اليوم الثاني من شهر آذار وكان يُحتَفَل به آنفًا في التاسع من شباط مع مار مارون. اختتم المجمع أعماله على عجل يوم الإثنين ١١ أيلول، بسبب وفاة المطران أرسانيوس شكري. اليوم، لم يبقَ من الدير سوى غرفتَين متلاصقتين بالكنيسة، وجدران غرفة ثالثة منفصلة. أمّا صورة السيّدة فهي بريشة كنعان ديب الدلبتاوي، قدّمها الخوري جرجس لطيف عام ١٨٥٤.
The church of Our Lady of Deliverance - Ain shqaiq Wata el Jawz
The church dates back to 1706, recurring with the Maronite’s return to there ancestral lands after the Mamluk’s campaign. The church was built in the land of the two lords brothers Hosn and Sakher sons of Abu Qanso Fayad el Khazen from Ghosta, hence the name Ain Shqaiq (brothers in arabic). The complex was inhabited first by the Antonine monks from 1720 to 1739 and for a short period by the Armenian monks in 1750. In this church was held the council of Ain Shqaiq in 1786, during the pontificate of Patriarch Youssef Estefan. The council decreed that the patriarchal residence should be in Bkerke, the nature of the relations between the bishops and the lords, the case of nun Hindye Ajaimy later excommunicated, and it appointed the feast day of St John Maroun on 2 March (it used to be celebrated on the same day as St Maroun.) The council came abruptly to an end on the 11th of September due to the death of bishop Arsanios Shekry. Today all what remains of the complex are two rooms adjacent to the church. The painting of the Madonna is by Kanaan Dib donated by Fr Gerges Lteif in 1854.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
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