Sereel – The church of St Michael

Mar Mikhael - Church, Seraal, Lebanon

Other Details

كنيسة مار ميخائيل

Seraal

Zgharta

North

كنيسة مار ميخائيل - سرعل بُنيت الكنيسة الأولى في القرن الثاني عشر. سنة ١٨٨٥ قرر الأهالي تشييد كنيسة جديدة. سنة ١٨٩٧ إنتهى بناء الكنيسة الجديدة. زيّن الكنيسة بالجداريّات الفنّان راجي دانيال السرعلي، سنة ١٩٥٥، وسنة ٢٠٠٢ رمّم اللوحات وزاد عليها الفنان حبيب خوري. رتّلت فيها السيّدة فيروز أناشيد الفصح سنة ٢٠١٠. تضمّ الكنيسة جثمان كاهنها الخوري يوسف أبي مارون معتوق الذي اشتهر بقداسة السيرة وبقي جسده سالمًا من الفساد. The church of St Michael - Sereel The first church was built in the XIIth century, and in 1889 the new church was built on top of it. The church was decorated with frescoes in 1955 by Daniel el Seraaly. In 2002 the frescoes were renovated and added upon by Habib Khoury. In 2012 Fairouz chose the church to sing the easter hymns. The church holds the remains of Fr Youssef Abi Maroun Maatouk who was a saintly figure and his body was incorruptible.

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Kreim Ghosta – The Holy Savior Monastery

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دير المخلص الكريم - غوسطا

سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .

The Holy Savior Monastery - Kreim Ghosta

The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.

Zgharta – The church of our Lady of Hara

Zgharta, Lebanon

كنيسة سيّدة الحارة

Zgharta

Zgharta

North

كنيسة سيّدة الحارة - زغرتا

في البدء كان البناءُ جزءًا من بيتٍ كبيرٍ لوقف زغرتا، استعمله الأهالي مستودعًا لأدوات البناء عندما حاول الزغرتاويّون بناء كاتدرائيّة سنة ١٨٩٩ في المكان القائمة فيه الآن كنيسة مار يوحنّا المعمدان. ولمّا لم تتيسر الأموال لإتمام البناء، طلبت السيّدة آسة أرملة سليم بك كرم من الخوري سعاده حنا ديب سعاده أن يُستعمل هذا البيت معبدًا على اسم سيّدة الحارة، بعد الحصول على إذنٍ من البطريركيّة المارونيّة. رُممّت هذه الكنيسة مرارًا ووُسّعت وأُضيفت لها قبّة جرس. أُهملت الكنيسة بعد بناء كنيسة مار يوحنّا المعمدان المحاذية لها. أُعيد تجديدها سنة ٢٠٠٠.

The church of our Lady of Hara - Zgharta

The building was originally a tool basement for a house owned by the parish of Zgharta. In 1899 after the failing to build a cathedral nearby due to the lack of funds, a local lady named Assa, who is the widow of Selim Bey Karam asked Fr. Saade Hanna Dib Saade to convert the structure into a church dedicated to the Virgin Mary after the approval of the Maronite Patriarch. The church was renewed many times and a bell tower was added. However, after the construction of St John’s church nearby it fell into disuse. It was finally renewed in the year 2000.

Qannoubine valley – St Marina’s Grotto

St. Marina the Monk, Wadi Qannoubine, Lebanon

مغارة القدّيسة مارينا

Ouadi Qannoubine

Bcharre

North

مغارة القدّيسة مارينا - وادي قنّوبين

بالأصل هذه المحبسة مغارة طبيعيّة بقرب دير قنّوبين، قصدها الحبساء
للخلوة. الى هذه المغارة لجأت القديسة مارينا والولد اللقيط الذي ربّته واهتمّت به بعد طردها من الدّير، وفيها ماتت ودفنت. بحسب البطريرك الدويهيّ أخذ الصليبيّون جثمانها الى البندقيّة وبقيت يدها اليسرى في المغارة. أصبحت هذه المغارة محجًّا ومدفنًا لسبعة عشر بطريركًا سكنوا في دير قنّوبين، من يوحنّا الجاجيّ الى يوحنّا الحلو. سنة ١٩٠٩ خلال حبريّة البطريرك الياس الحويّك ، رُمّم المدفن، وبنيت للمغارة واجهة حجريّة، ووضع في داخله مذبح رخاميّ جديد.

St Marina’s Grotto - Qannoubine valley

The cave was a hermitage dependent of the monastery of Qannoubine. In this cave St Marina took refuge with the bastard child she raised after her unfair expulsion from the monastery. She was buried in the same cave that became a pilgrimage site. The Crusaders transferred her relics to Venice leaving only her left hand in the cave according to patriarch Douweihy. The cave became the patriarchal necropolis, a total of 17 patriarchs were buried there from John of Jaj to John El Helou. In 1909 during the pontificate of Patriarch Elias Howayek the necropolis was restored, a stone facade was built to the west, and a new marble altar was brought in.