كنيسة مار جرجس - رميش
تأسّست الكنيسة الأولى سنة ١٧٤٠، مع قدوم الموارنة إلى البلدة. تعرّضت هذه الكنيسة للتخريب جرّاء الزلازل والحروب عدّة مرّات. أُعيد بناؤها بالشكل الحاليّ سنة ١٩٢٩ ورمّمتها مديريّة الآثار سنة ١٩٩٥. الكنيسة كناية عن سوقٍ واحدٍ مستطيل مسقوف بسقفٍ بغداديّ. مذبحها رخاميّ يحوي نقشًا لمار جرجس. وتحوي الكنيسة لوحتين للسيّدة ومار جرجس.
The church of St George - Rmeish
The church was founded in 1740 when the first Maronites came to the village. It was damaged many times due to wars and earthquakes. It took its current form in 1929, and was restored in 1995. The structure is a single roofed rectangular nave with a wooden ceiling. The main altar contains a marble Bas-Relief of St George. The church holds two local paintings: the Madonna and St George.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
Deir Mar Botros Wa Boulos - Qattine, Qatin, Lebanon
دير مار بطرس وبولس
Deir El Qattine
Jezzine
South
دير مار بطرس وبولس - قطّين
بناه المطران سمعان عوّاد الحصروني سنة ١٧٣٦ أيّام حبريّة البطريرك يوسف ضرغام الخازن، وكان مزرعةً صغيرة. سلّم المطران الدّير للرهبانيّة الأنطونيّة المارونيّة سنة ١٧٦٠، فبنى الرهبان الكنيسة ووسّعوا الدّير واستُخدم فترة قصيرة كدير للراهبات العابدات الأنطونيّات. سنة ١٨٦٠ تعرّض الدّير للتخريب إبّان الأحداث الطائفيّة. أعيد ترميمه ليخدم رسالته وجلبت للكنيسة لوحة إيطاليَة لمار بطرس وبولس مع الذخيرة الرسوليّة. سنة ٢٠١٧ بنيت بقرب الدّير محبسة مكرّسة لمار يوسف حارس الفادي.
The monastery of Sts Peter and Paul - Qattyn
The monastery was built in 1736 by bishop Gebrayel Awad from Hassroun, and consisted of a small farm. In 1760 the bishop handed over the monastery to the Antonine Maronite Order, who enlarged the building and built the church. The monastery was shortly used as a nunnery for solitary Antonine nuns. The monastery was devastated in the war of 1860. After the war it was renewed, an Italian painting and the apostolic relic where brought from Rome and enshrined in the church. In 2017 a hermitage dedicated to St Joseph the guardian of the Redeemer was built near the monastery.
في القرن السادس عشر زار البطريرك ارزيفيان روما والتقى البابا بنديكتوس الرابع عشر، وأهداه أحد الكرادلة لوحة لسيّدة الآلام، منسوبة لمدرسة رافاييل تعود لرافاييل سانزيو أو الى غيراريو بار بيري. في رحلة العودة تعرّضت السفينة لخطر الغرق فرُميت اللوحة في البحر ووُجدت تطفو على المياه بشكلٍ عجائبيّ. بعد هذه الحادثة وُضعت اللوحة في كنيسة الدّير فوق العرش البطريركيّ. عام ١٨٠٢ ضربت الصاعقة الكنيسة، وسقطت على العرش البطريركيّ حيث كانت صورة العذراء، من دون الحاق الضرر بالعرش، ولا باللوحة، فبُنيت على إثر المعجزة كابيلا صغيرة ملاصقة للدّير وهي مزار للمؤمنين طالبين نِعم سيّدة الآلام. زارها قداسة البابا بنديكتوس السادس عشر سنة ٢٠١٢.
The chapel of Our Lady of Sorrows - Bzommar
In the XVIth century, the Armenian Patriarch Arzivian visited Rome and met pope Benedict XIV. He was gifted an icon of our Lady of Sorrows from an Italian cardinal. The painting is from Raphael’s school and is attributed to Raphael Sanzio or Gerario Parperi. On the way back the ship was in danger of shipwreck, and the painting was thrown in the sea with other furniture. It was rediscovered miraculously floating several days later. After the incident it was put over the patriarchal chair in the main church of Bzommar. In 1802 a lighting bolt hit the throne and the painting fell down, yet even the glass that was on it was miraculously preserved. A chapel adjacent to the monastery was erected to enshrine the miraculous icon. The chapel was visited by pope Benedict XVI in 2012.
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