كنيسة مار يعقوب المقطّع - رشدبّينكنيسة صغيرة تعود من حيث الهندسة والشكل إلى العصر البيزنطيّ وتقع بقرب المعبد الرومانيّ. تتألف من عقد سريريّ بحنيةٍ واحدة. يشكّل الجزء الأماميّ من الكنيسة قسم للموعوظين. ومار يعقوب هو قديّس فارسيّ من القرن الرابع، كان فارسًا نبيلاً، ولم يجحد إيمانه فنال إكليل الشهادة.The church of St Jacob the Persian - ReshdebbinA small church near the old roman temple. It dates back to the Byzantine era according to its architecture. The church consists of a crib vaulted ceiling ending with a single apse. The frontal part is occupied by a narthex. St Jacob was a Persian third century noble knight who suffered martyrdom so he wouldn’t recant his faith.
بنيت في ثلاثينيّات القرن الثامن عشر، وأتمّ البناء سنة ١٧٦٠ على يد الأب متّى الحكيم الحلبيّ طبيب أمراء دير القمر. تُلاصق الكنيسة كابيلا سيّدة الرحمة وهي تعود للنصف الثاني من القرن التاسع عشر. تحوي الكنيسة على العديد من اللوحات التصويريّة أهمّها لوحة سيّدة الورديّة وهي من عمل كنعان ديب الدلبتاوي سنة ١٨٦٤، ومار يوسف لنجيب شكري تعود لسنة ١٩١٠.
The church of Our Lady of the Rosary El Delghane - Deir el Qamar
The church was built in the third decade of the the XVIIIth century. The construction was concluded in 1760 under the supervision of Fr Matta el Hakim from Aleppo who was the personal doctor of Deir el Qamar’s princes. Adjacent to the church stands a small chapel dedicated to our Lady of Mercy dating back to the second half of the XIXth century. The church holds many paintings inculding Our Lady of the Rosary by Kanaan Dib dating back to 1864 and St Joseph by Najib Chukry dating back to 1910.
هي كنيسة البلدة الرعائيّة بُنيت حوالي سنة ١٩٠٥ مكان كنيسة أقدم عهدًا. رُمّمت الكنيسة على عدّة مراحل، وهي مؤلّفة من سوق واحد وعقدٍ مصالب. اللوحة القديمة من عمل كنعان ديب الدلبتاوي تعود لسنة ١٨٥٨. أمّا اللوحة الجديدة فهي من عمل هارمانديان وتعود لسنة ١٩٥٩.
The church of Sts Sergius and Bacchus - Reshdebine
The church is the parochial church of the village, built in 1905 on the site of an older church. The church was restored on several occasions, it consists of a single apse with a crossed vault. The church holds two paintings of the patron saints: the older one by Kannan Dib from 1858, and the new one by Harmanedian from 1959.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
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