كنيسة مار يعقوب المقطّع - رشدبّينكنيسة صغيرة تعود من حيث الهندسة والشكل إلى العصر البيزنطيّ وتقع بقرب المعبد الرومانيّ. تتألف من عقد سريريّ بحنيةٍ واحدة. يشكّل الجزء الأماميّ من الكنيسة قسم للموعوظين. ومار يعقوب هو قديّس فارسيّ من القرن الرابع، كان فارسًا نبيلاً، ولم يجحد إيمانه فنال إكليل الشهادة.The church of St Jacob the Persian - ReshdebbinA small church near the old roman temple. It dates back to the Byzantine era according to its architecture. The church consists of a crib vaulted ceiling ending with a single apse. The frontal part is occupied by a narthex. St Jacob was a Persian third century noble knight who suffered martyrdom so he wouldn’t recant his faith.
سكن الموارنة بلدة عين عكرين من القرن التاسع عشر. أمّا الكنيسة فبنيت نهاية القرن التاسع عشر. البناء كناية عن سوقٍ واحدٍ مسقوف ينتهي بحنية نصف دائريّة. المميّز في هذه الكنيسة أنّها آن رمّمت أوائل هذا القرن زيّنها المرحوم الأب عبده بدوي رائد الإيقونوغرافيا المارونيّة الحديثة بمجموعةٍ من الفسيفساء والأيقونات.
The church of Our Lady of Perpetual Help - Ain Ekrine
The Maronites first came to Ain Ekrin in the beginning of the XIXth century. They built the church at the end of the century. The structure is a single nave roofed building, with a semi circular apse. The church was restored in the early XXIth century, and it consists a visual iconographical heritage to the belated Fr Abdo Badawi, the pioneer of modern maronite iconography.
St Nohra church ain el delbeh كنيسة مار نوهرا, Ain Al Delbe, Lebanon
كنيسه مار نوهرا
Ain Ed-Delbeh Jbayl
Keserwan
Mount Lebanon
كنيسه مار نوهرا - عين الدلبة
بُنيت الكنيسه أواسط القرن التاسع عشر ، وترمّمت على عدّة مراحل. هي مكرّسة على إسم مار نوهرا وهو لقبّ سريانيّ للقدّيس لوجيوس، يعني النور. اللوحة الاساسيّة من روما تعود لسنة ١٩١٠. أمّا اللوحة القديمة للقدّيس، فهِيَ من عمل كنعان ديب الدلبتاوي. في الكنيسه مذبحُ لعذراء غوادالوبي لوحته مستوردة من المكسيك سنة ١٩٢٠.
The church of St Nohra - Ain el Delbe
The church was built in the mid XIXth century, and restored many times. The church is consecrated to St Logiue who’s named nouhro, which is the syriac translation of the word "light". The painting over the high altar is made in Rome in 1910. The old one over the side altar is the work of Kanaan Dib. Another side altar is dedicated to the Virgin of Guadalupe, and it is a donation from the village’s expats in Mexico in 1920.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
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