كنيسة مار الياس الحيّ - قرطبابُنيت الكنيسة الأولى منتصف القرن السادس عشر ورُمّمت سنة ١٥٥٦، وأعيد البناء سنة ١٨٤٦. أمّا البناء بشكله الحاليّ فيعود إلى سنة ١٩٠٣. وهي كنيسة بازيليكيّة بثلاثة أسواق وثلاث مذابح. تحوي الكنيسة مجموعة من اللوحات لكنعان ديب وداوود القرم، كما ومجموعة من الزجاجيّات. واجهة الكنيسة مشغولة بالحجر المقصوب مزيّنة بجرسيّة وساعة طنّانة.The Church of St Elijah the prophet - QartabaThe first church was built in the middle of the XVIth century and restored in 1556, it was rebuilt twice in 1846 and 1903. The church is built according to a basilical plan with three naves and three altars. The church holds many XIXth century paintings by Kanan Dib and Daoud el Qorm. The church is decorated by stained glass windows. The exterior of the church is decorated with a bell tower with a clock.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
Saint Takla Church - Smar Jbeil, Smar Jbeil, Lebanon
كنيسة مارت تقلا
Smar Jbayl
Batroun
North
كنيسة مارت تقلا - سمار جبيل هي كنيسة صغيرة بجوار كنيسة مار نوهرا الرعائيّة، مؤلّفة من سوق واحد ينتهي بحنية. بحسب التقليد المحليّ يعود وجود كنيسة لتكريم مارت تقلا بالقرب من كنيسة مار نوهرا، لأنّ شقيقة القديس نوهرا كانت تدعى تقلا، وقد تبعت أخاها في تبشيره، واستشهدت مثل شفيعتها ثم دفنت هي ايضاً في سمار جبيل. إلا أنّه لا دلائل تاريخيّة حتى الآن تثبت هذه المقولة. الكنيسة تعود لأواخر القرن الثامن عشر.
The church of St Thecla - Smar Jbeil
The church is a small chapel near the parish church of St Nohra. It consists of a single aisle ending with an apse. According to local traditions the church is dedicated to the patroness of St Nohra’s sister also called Thecla and also a martyr, yet no historical records show that. The church dates back to the late XVIIIth century.
The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat
The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.
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