دير سيّدة قنّوبين - قنّوبينهو من أهمّ وأقدم الأديار الأثريَّة في الوادي المقدّس. كان الكرسيّ البطريركيّ للكنيسة المارونيَّة من القرن الخامس عشر حتَّى القرن التاسع عشر. أعطى اسمه لجزء من وادي قاديشا أي وادي قنّوبين، ومعناه من اليونانيّة الشركة.بحسب تقليد الكنيسة المارونيَّة، أسَّس هذا الدير تاودوسيوس الكبَّادوكيّ، في القرن السادس. أمَّا تقليد الكنيسة السريانيَّة الأرثوذكسيَّة فيذكر أنَّ الإمبراطور تاودوسيوس الأوَّل، في القرن الرابع، بنى كنيسة سيِّدة قنُّوبين. هذان التقليدان ليسا إلاَّ إثباتًا على قِدَم الدير وأهمِّيَّته بالنسبة إلى تاريخ الكنيسة في لبنان. يذكر التقليد أن القدّيسة مارينا سكنته وماتت ودفنت في المغارة المجاورة. إنتقل إليه البطريرك يوحنّا الجاجيّ على إثر تنكيل والي طرابلس بالموارنة. فأصبح مقرًّا بطريركيًّا.جداريّات الكنيسة الأساسيّة مرسومة على عدّة مراحل من القرن العاشر وصاعدًا. جداريّات المذابح: الشفاعة، مار يوسف ومار دانيال، وجداريّة تكليل السيّدة هي من عمل الراهب اللبنانيّ بطرس القبرصيّ.The monastery of our Lady of Qannoubin - QannoubinThe monastery is one of the most important religious sites for the Maronite church. Two traditions narrate its history both attesting the great history behind it: the Maronite tradition dates it back to the VIth century with Theodosius the Cappadocien. The Syriac tradition dates it back to the IVth century when the Byzantine emperor Theodosius the first built a church dedicated for the Madonna in Qannoubin.The frescoes of the main church were done layer over layer starting the Xth century up until the XVIth century when Boutros el Qobersy the Lebanese monk painted the three apses frescoes: the Deisis, St Joseph and St Daniel, and the frescoe of the coronation of the Virgin.
Monastery of Saint John Marcus Jbeil Lebanese Maronite Order, Byblos, Lebanon
مار يوحنا مرقس - جبيل
1115
Jbayl
Jbeil
Mount Lebanon
A beautiful Romanesque church, Eglise Saint Jean Marc is the cathedral church of Jbail-Byblos. The Church is dedicated to Saint Jean Mark, the patron saint of the town, who is said to have founded the first Christian community of Byblos. The church itself was built in 1115 A.D by the Crusaders, originally as the Cathedral of Saint John the Baptist. After their departure, earthquakes, invasions and other disasters have repeatedly damaged the structure, and for a few centuries it remained disused. In 1764, Emir Youssef Chehab, of the Druze dynasty that ruled a semi- autonomous Lebanon under the Ottomans, donated the church to L’Ordre Libanais Maronite (Lebanese Maronite Order) which subsequently restored and reopened in 1776 after re-dedicating it to St Jean Marc. British bombardments of Lebanon in 1840 caused further damage, but the church was restored yet again. Eglise Saint Jean Marc continues to serve the Maronite Christian community. One interesting feature in the church is its open- air domed baptistery on the northern side which dates from the original construction in 1115 A.D, The church is situated on Rue de Port, between the port and the archaeological area.
Église de Notre Dame du Rosaire - Zouk Mosbeh, Zouk Mosbeh, Lebanon
كنيسة سيدة الوردية
1704
Zouk Mousbeh
Keserwan
Mount Lebanon
بنيت الكنيسة سنة ١٧٠٤ على تلّة مشرفة في بلدة ذوق مصبح، على أنقاض كنيسة أقدم عهدًا. بناها وجهاء آلحقلاني الذين قَدِموا الى هذه البلاد من جرود جبيل. يوم انتُخِب المطران عبدالله قرعلي أسقفًا، جَعَل منها كرسيًّا لمدينة بيروت، وفيها أُقيمت للمرّة الأولى رتبة زيّاح الوردية الكبير. فيها العديد من اللوحات الزيتيّة، لكن الأهم هي اللّوحة الأساسيّة لسيّدة الورديّة، وتعود للقرن السادس عشر، فيها مريم العذراء بهيئة شرقية على ذراعها الطفل الإلهيّ، مُحاطة بالقدّيسيَن عبدالاحد وكاترين السيانية مجللة بأسرار الورديّة الخمسة عشر.
The Church of our Lady of the Rosary Built in 1704 on a hill in the town of Zouk Mosbeh, over the ruins of an older church, by the notables of the Haqlany’s family. When Abdalla Qaraaly became bishop of Beirut he made it his Cathedral, where he promulgated the rosary devotion. The church is famous for its paintings, especially its main one: The Virgin Mary portrayed as an oriental lady with the child in her hands, handing the rosary to Sts Catherine and Dominic, with the rosary mysteries on her sides.
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
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