دير مار سابا الناسك - لحفدهو دير قديم يعود لأوائل القرون الوسطى، لم يبقَ منه سوى الكنيسة. الكنيسة مبنيّة بعقدٍ سريريّ وحنيتين بمذبحين، على اسم السيّدة ومار سابا. على الجدران ماثلة بقايا جداريّات. إستُخدم الدّير كمركزٍ أسقفيّ في حبريّة البطريرك يوحنّا اللحفديّ. رُمّم أخيرًا سنة ٢٠١٠ بمناسبة تطويب الأخ اسطفان نعمه.The monastery of St Sabas the hermit - LehfedAn ancient ruined monastery that dates back to the high middle ages, with a church still standing. The church is a crib vault structure with a double apse and two altars dedicated respectively to the Madonna and St Sabas. Some traces of the frescoes can be noticed on the walls. The church was an episcopal residence during the pontificate of Patriarch John of Lehfed. The church was restored in 2010 with the canonisation of Blessed Estfan Nehme.
The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat
The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
سنة ١٩٠٦ بنت عائلة خورشيد إيليان كابيلّا مدفنيّة على اسم مار بطرس وبولس، وكانت تابعة لكنيسة الأرمن الكاثوليك. سنة ١٩٨٩ إنتقلت ملكيّتها لوقف الورديّة، غادير، ورُمّمت. كرّسها الخورأسقف يعقوب الشمالي على اسم القدّيسة ريتا. سنة ٢٠٠٢ أُعيد ترميمها وأُضيفت إليها الباحة الخارجيّة. سنة ٢٠١٥ تمّ الاحتفال باليوبيل الفضيّ لتكريسها. البناء كناية عن عقدٍ مُصالب، بواجهة نيوكلاسيكيّة.
The Chapel of St. Rita - Ghadir
In 1906, the Armenian Catholic family Khorcheid Elian built a funerary chapel dedicated to Sts. Peter and Paul. In 1989, the chapel was purchased by the parish of the Rosary - Ghadir. It was then rededicated to St. Rita by Chorbishop Yaqoub Chemaly. In 2002, the chapel underwent restoration, and an external garden was added. In 2015, the chapel celebrated its silver jubilee. The structure features a crossed vault with a neoclassical facade.
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