Hemlaya – The church of St Elijah

Saint ELIE CHURCH كنيسة مار الياس, Hemlaya, Lebanon

Other Details

كنيسة مار الياس

Himlaya

Metn

Mount Lebanon

كنيسة مار الياس - حملاياسنة ١٩٠٤ قُسِّمت كنيسة مار جرجس بين آل الراعي وآل الريّس. فقرّر يوسف الريّس البقاء مع أخواله في الكنيسة القديمة، لكنّه عاد سنة ١٩٠٦ وقرّر إنشاء كنيسة جديدة لمار جرجس مع عددٍ من عائلات البلدة. بقيت هذه الكنيسة مًقفلة حتّى ستينيّات القرن العشرين حين أّعيد افتتاحها وتكريسها على إسم مار الياس. الكنيسة مسقوفة وتحوي ثلاث حنايا. تضمّ الكنيسة ساعة طنّانة، وتحوي لوحةُ من عمل حبيب سرور.The church of St Elijah - HemlayaIn 1904 the old St George’s church was divided between the Rahi and the Rayess families. Back then Youssef El Rayess decided to stay with his uncles, yet in 1906 he decided to build a new church dedicated to St George with a number of the village’s families. This church remained closed until the sixties when it was rededicated to St Elijah. The church is a roofed structure with three apses, it holds a clocktower and contains a painting of St Elijah by Habib Srour.

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The monastery of St Maroun on the Orontes - Hermel

The monastery was originally a natural cave consisting of three sections, it was expanded by Roman builders working in nearby stone quarries. It is situated above Ain El Zarqa, one of the sources of the Orontes River, and connected to the river via a corridor carved into the mountainside. This was used to fetch water and provide a hiding place during enemy attacks. In the VIth century, Maronite monks sought refuge in the cave after facing persecution in northern Syria, where their monastery was destroyed and its contents dispersed. The monks expanded the cave and carved an altar, turning the cave into a new monastery. This marked the beginning of the Maronite migration to the mountains of Lebanon along the Orontes River. Over time, the monastery was neglected and became an abandoned farm. In 2011, it was visited by Patriarch Bechara Boutros Al-Rahi and has since been restored in 2018, returning to the Maronite Church. The monastery serves as a testament to the spread and perseverance of the Maronite Church in the Levant.

Aamchit – The church of the disciples of St Maroun in Jbeil’s episcopal seat

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كنيسة تلاميذ مار مارون مطرانيّة جبيل المارونيّة - عمشيت

في ٢٥ حزيران سنة ١٨٩٢ أوقف فارس جبوّر كرم بيته وأرزاقه لنيابة جبيل البطريركيّة، لتكون مركزًا للنائب البطريركيّ. سنة ١٩٠٨ كُرّست الكنيسة في الطابق السفليّ على اسم الشهداء الثلاثمئة والخمسون تلاميذ مار مارون. الكنيسة كناية عن قبوٍ طويل فيه مذبح خشبيّ. رمّم البناء سنة ١٩٩١ وأصبح مقرًّا لأبرشيّة جبيل المارونيّة.

The church of the disciples of St Maroun in Jbeil’s episcopal seat - Aamchit

On the 25th of June 1892, Fares Jabbour Karam donated his estate to the patriarcal vicariats of Jbeil to become a headquarter for the patriarcal vicar. In 1908 a small church dedicated to the 350 martyrs disciples of St Maroun was consecrated in a vault on the groud floor. The church has a wooden altar and tabernacle. The structure was renovated in 1991 and became the seat of the newly created Maronite Bishopric of Jbeil.

Wadi Jezzine – The church of Our Lady

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كنيسة السيّدة - وادي جزّين

بُنيت الكنيسة الأولى أواخر القرن الثامن عشر وهي كنيسة صغيرة بسقف خشبيّ بهبة من الشيخ بشير جنبلاط. نجت هذه الكنيسة بأعجوبة من الخراب خلال أحداث ١٨٤٠ حين حاول المعتدون إحراق السقف الخشبيّ فلم يحترق وسنة ١٨٦٠ حين وريت بالضباب. سنة ١٨٩٠ أخذت الكنيسة شكلها الحاليّ، لكنّ البناء لم يكتمل إلّا سنة ١٩٠٣ بسعي أبناء البلدة في الأرجنتين. في الكنيسة لوحتان للسيّدة إحداهما تعود للقرن الثامن عشر، والأخرى تعود لسنة ١٩٠١ من عمل الياس الأسمر كرم.

The church of Our Lady - Wadi Jezzine

The first church was built in the XVIIIth century, it was a small church with a wooden ceiling, on a plot of land donated by Sheikh Bachir Joumblat. The church was miraculously saved from being burned in 1840, and was hidden by a thick fog from the eyes of the aggressors during the war of 1860. In 1890 the church took its final shape with a stone vaulted ceiling. the church was finally completed in 1903. The church holds two paintings of the Virgin Mary: an XVIIIth century icon , and another one from 1901 by Elias Asmar Karam.