Hermel – The monastery of St Maroun on the Orontes

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Hermel, Lebanon

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دير مار مارون على نهر العاصي

Hermel

Hermel

Baalbek-Hermel

The monastery of St Maroun on the Orontes - Hermel The monastery was originally a natural cave consisting of three sections, it was expanded by Roman builders working in nearby stone quarries. It is situated above Ain El Zarqa, one of the sources of the Orontes River, and connected to the river via a corridor carved into the mountainside. This was used to fetch water and provide a hiding place during enemy attacks. In the VIth century, Maronite monks sought refuge in the cave after facing persecution in northern Syria, where their monastery was destroyed and its contents dispersed. The monks expanded the cave and carved an altar, turning the cave into a new monastery. This marked the beginning of the Maronite migration to the mountains of Lebanon along the Orontes River. Over time, the monastery was neglected and became an abandoned farm. In 2011, it was visited by Patriarch Bechara Boutros Al-Rahi and has since been restored in 2018, returning to the Maronite Church. The monastery serves as a testament to the spread and perseverance of the Maronite Church in the Levant.

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بُنيت الكنيسه أواسط القرن التاسع عشر ، وترمّمت على عدّة مراحل. هي مكرّسة على إسم مار نوهرا وهو لقبّ سريانيّ للقدّيس لوجيوس، يعني النور. اللوحة الاساسيّة من روما تعود لسنة ١٩١٠. أمّا اللوحة القديمة للقدّيس، فهِيَ من عمل كنعان ديب الدلبتاوي. في الكنيسه مذبحُ لعذراء غوادالوبي لوحته مستوردة من المكسيك سنة ١٩٢٠.

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The church was built in the mid XIXth century, and restored many times. The church is consecrated to St Logiue who’s named nouhro, which is the syriac translation of the word "light". The painting over the high altar is made in Rome in 1910. The old one over the side altar is the work of Kanaan Dib. Another side altar is dedicated to the Virgin of Guadalupe, and it is a donation from the village’s expats in Mexico in 1920.

Jezzine – Saint Joseph Church

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سنة ١٨٠٤ رسم المطران يوحنا الحلو الخوري حنا رزق (المطران يوسف) كاهنًا، وفوّض إليه بأمر البطريرك يوسف التيّان حقوق النيابة وزيارة أبرشية صور وصيدا، فسهر على خيرها ملاحظًا شؤونها متجوّلاً في أنحائها. بعد قرابة الثلاثة أعوام من تعيينه نائبًا عامًا على أبرشية صور وصيدا، وبعد أن عرف حاجتها الى العلم، باشر الأب حنا رزق بإنشاء دير ومدرسة مار يوسف في جزين. عام 1810 توقف الأب حنا عن البناء وعاد الى عين ورقة ليصبح رئيسًا للمدرسة في غسطا. عاد المطران يوسف بعد احداث ١٨٦٠ ليبني الدير والكنيسة. ميزة بناء هذه الكنيسة هي عدم وجود اي عمود في وسطها ، وطراز شبابيكها، ونوع حجارتها والدرج الداخلي في حائطها الشمالي. واستقدم لها اللوحات من روما والمذابح الرخاميّة من المرمر الأبيض. وهي آية في الجمال المعماري. اللوحات من عمل رسام ايطالي انريكو سكيفوني. وهي اليوم وقف الآل رزق.

In 1804 Archbishop Youhanna el Helo ordained Hanna Rizk (later bishop Youssef) a priest, and gave him the mission with the blessing of Patriarch Tayyan to oversee as a vicar general the archdiocese of Tyr and Sidon. After three years in his mission, and seeing the urge for a seminary in the diocese, he began the construction of St. Joseph's Seminary in his hometown Jezzin. In 1810 the construction was delayed due to the appointment of Mgr. Rizk as a Rector in the Maronite Grand Patriarcal Seminary in Ain Warqa. Yet after the war in 1860 he resumed his initial project in Jezzin.
The church is unique in its architecture: a high cieling with no columns. The white marble altars are beautifully ornate. And the paintings are the work of the Italian Enrico Scifoni. The establishment is now a private chapel owned by the Rizk family.