كنيسة سيّدة الإنتقال - دير
طحنيش بنى الموارنة الكنيسة مع قدومهم إلى البلدة سنة ١٧٠٥، وهي أقدم كنيسة مارونيّة في البقاع الغربيّ. الكنيسة صغيرة كناية عن سوقٍ واحد مسقوفة. سقف الكنيسة بغداديّ. تحوي الكنيسة على لوحةٍ للسيّدة منقولة عن موريللو تعود لأربعينات القرن العشرين. مع بداية القرن الحاليّ رُمّمت الكنيسة ورُسم على السقف لوحات تجريديّة.
The church of Our Lady of Assumption - Deir Tahnish
The maronites built the church in 1705 when they came to the village. It is the oldest maronite church in the West Bekaa region. The structure consists of a small single roofed nave. The church holds a painting copied from Murillo’s Immaculate conception dating back to the forties. The church was renovated in the last decade and the roof was decorated with abstract frescoes.
كانت كفرشليمان مركزًا لمعبدٍ فينيقيّ تحوّل في القرن الخامس الميلادي مع إنتشار الديانة المسيحية، الى كنيسة على إسم سيّدة نايا (الكنيسة الجديدة). إزدانت الكنيسة برسوم وجدرانيات ونقوش مميزة على صخورها رمّمت عام ٢٠٠٧. في الكنيسة جداريّات الشفاعة ، الضابط الكلّ، العذراء المرضعة، مار أفسطاقيوس. كان البطريرك يوسف التِيّان متنسكًا في هذه الكنيسة، بعدما إستقال من السّدة البطريركية جرّاء خلافه مع الأمير بشير الثاني الشهابيّ.
The church of Our Lady of Naya - Kfarshleiman
Kfarshleiman was the land of a Phoenician shrine that was converted in the Vth century into a Byzantine church dedicated to our Lady and named “nea” meaning new church. The church was ornate with frescoes that were restored in 2007 representing: the Deisis, the Pantokrator, the Nourishing Virgin, St Eustache. The Patriarch Youssef el Tyan used the church as a hermitage for a while after he resigned from his seat due to the polemic with Prince Beshir the second Shehab.
سنة ١٧٠٨ وصل ثلاثة رهبان أرمن إلى لبنان لتأسيس رهبانيّة أرمنيّة، فأوقف لهم الشّيخ صخر الخازن، أراضًا في وادي غوسطا سنة ١٧١٦. فأنشىء الرهبان إكليريكيّة وامتدّ بناء الدير والكنيسة إلى سنة ١٧٣٣. سنة ١٨٦٥ اشترى الخوري يوحنّا حبيب (المطران لاحقًا)، الدّير من الرّهبان الأرمن حيث انتقل هؤلاء إلى بزمّار، وأسّس جمعيّة المرسلين اللّبنانيّين في الدّير مع العديد من الكهنة وفي مقدَّمهم الخوري إسطفان قزاح، الرّئيس العام الأوّل. إهتمّ الكريميوّن ووسّعوه.. وقد كان هذا الدّير ملجأً للعديد من المهجّرين والمشرّدين والجياع والهاربين من ظلم السّلطات العثمانيّة. خضع البناء لعدّة عمليّات ترميم كان آخرها سنة ٢٠١٣. كان الدّير مركزًا للرّئاسة العامّة للجمعية حتّى العام ١٩٢١، وهو حاليًّا ديراً للابتداء، توجد فيه كنيسة المُخلّص وتحوي لوحةً زيتيّةً قديمة،، تدعى "الثّالوث المتألّم"، ولوحة أخرى أرمنيّة للميلاد. وفي الكنيسة أيضًا مدافن عائدة إلى كلّ من المطران يوحنّا الحبيب مؤسّس الجمعيّة، والخوري اسطفان قزاح رئيسها العام الأوّل، والمطران شكرالله خوري، .
The Holy Savior Monastery - Kreim Ghosta
The monastery was established in 1708 by three Armenian monks who arrived in Lebanon with the intention of creating an Armenian monastic order. Located in Wadi Ghosta, Lebanon, the monastery's history is intertwined with various events and figures over the centuries. In 1716, Sheikh Sakhr al-Khazen granted the Armenian monks lands in Wadi Ghosta, enabling them to establish their monastic order. The construction of the monastery and church complex took several decades, finally extending until 1733. It served as a seminary, providing education and spiritual guidance to the community. Fast forward to 1865, and the ownership of the monastery changed hands. Father John Habib, who later became a Bishop, purchased the monastery from the Armenian monks. With this transaction, the Armenian monks relocated to Bzommar, and Father John Habib initiated the Lebanese Missionaries Congregation within the monastery. Many priests were part of this association, and Father Stephen Qazah became its first superior general. Throughout its history, the Holy Savior Monastery played a crucial role in the local community. It served as a refuge for the displaced, homeless, hungry, and those seeking refuge from the oppression of the Ottoman authorities. The monastery experienced several periods of restoration to preserve its historical significance and structural integrity. The last restoration took place in 2013, ensuring that the monastery continued to stand as a testament to its enduring history and cultural importance. The Holy Savior Monastery, historically serving as the center of the general presidency of the association until 1921, has evolved into a monastery dedicated to novices in the present day. Nestled within its walls is the sacred Church of the Savior, housing cherished relics from the past. One of the notable treasures preserved within the church is an ancient oil painting named "The Suffering Trinity." This artwork carries profound emotional depth and holds a place of reverence within the community, reminding all who behold it of the timeless spiritual journey. Adding to the artistic splendor, another precious possession within the church is an Armenian painting depicting the Nativity. This painting enriches the spiritual ambiance of the sanctuary, reflecting the shared heritage and faith of those who seek solace and inspiration within its halls. Moreover, the church stands as a memorial to the esteemed figures who have shaped the legacy of the monastery and the association it represents. The burials of Bishop Youhanna Al-Habib, the visionary founder of the Lebanese Missionaries Association, Father Estephan Qazzah, the dedicated first general president, and Bishop Shukrallah Khoury, a revered spiritual leader, grace the church grounds. As the monastery continues to embrace novices and nurture their spiritual growth, it remains an enduring symbol of devotion, compassion, and hope. The presence of these sacred artifacts and burials serves as a constant reminder of the monastery's illustrious past and the profound impact it has had on the lives of those who seek solace and enlightenment within its sanctuary.
سكن الموارنة بلدة عين عكرين من القرن التاسع عشر. أمّا الكنيسة فبنيت نهاية القرن التاسع عشر. البناء كناية عن سوقٍ واحدٍ مسقوف ينتهي بحنية نصف دائريّة. المميّز في هذه الكنيسة أنّها آن رمّمت أوائل هذا القرن زيّنها المرحوم الأب عبده بدوي رائد الإيقونوغرافيا المارونيّة الحديثة بمجموعةٍ من الفسيفساء والأيقونات.
The church of Our Lady of Perpetual Help - Ain Ekrine
The Maronites first came to Ain Ekrin in the beginning of the XIXth century. They built the church at the end of the century. The structure is a single nave roofed building, with a semi circular apse. The church was restored in the early XXIth century, and it consists a visual iconographical heritage to the belated Fr Abdo Badawi, the pioneer of modern maronite iconography.
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