كنيسة مار زخيا القديمة - عجلتون
بُنيت الكنيسة الأولى سنة ١٦٧٢، وكرّسها البطريرك إسطفان الدويهيّ. سنة ١٨٢٨ كانت الكنيسة أصبحت ضيّقة، فأُخذت جحارتها، بالإضافة إلى حجارة كنيسةٍ قديمةٍ مهجورةٍ على اسم مار عبدا، كانت تخصّ آل الشمالي قبل نزوحهم إلى بلدة سهيلة. كان البناء بسعي الخوري نقولا صفير. الكنيسة كناية عن عقدٍ مُصالب ينتهي بحنية. تضمّ أربعة مذابح: مار زخيا، السيّدة، القلب الأقدس، مار يوسف. الكنيسة تحافظ على طابعها الأصليّ بنقوشها وزخرفتها الملوّنة والأشكال الهندسيّة على الجدران والأسقف.
The church of St Zakhia (St Nicolas) - Ajaltoun
The first church was built in 1672, and dedicated by Patriarch Estefan el Douwaihy. In 1828 the church became too small for the increasing number of villagers. With the help of Fr Nkoula Sfeir, two old churches were dismantled: the old St Zakhia and an old ruined chapel dedicated to St Abda that belonged to the Chemaly family that moved to Shaileh. The stones were used to build the new church. The structure is a crossed vault, with four altars: St Zakhia, the Madonna, the Sacred Heart, and St Joseph. The church still conserves its original decorum with colored floral motifs and arabesques.
The 3rd Patriarchal seat from 1120 to 1440 AD. This beautiful, small church dates to 1121 AD. There’s a tradition that the Monastery of Our Lady of Elij took the place of one of the train stations of the Roman road from Baalbak and the banks of Al Assi River to the North coast of Phoenicia. The apostles used this road during their trips between Antakya and the beaches of Palestine, and turning the place into a Christian one is attributed to them. (The apostles and students of St. Lucas).
The name of Elij is derived from the word “Eel”, from the Aramaic language, and it means “God of soft valley”. But from the Greek, it is derived from the word “Ellios” meaning “Goddess of the Sun”.
According to a Syriac inscription on the church wall (1277 AD.): “In the name of the eternally living God, in the year 1588 of the Greek era, this Jacobi temple was built for the Mother of God who prays for us, by the bishops Mark and John, in 1588 of the Greek era.” A cross was also engraved with a Syriac state “In You we conquer our enemy and in your name, we tread our haters”. There’s Syriac writing on the monastery’s wall: “In the name of the living God, in 1746 A.D, the two monk- brothers Amoun & Ming. It was established by four patriarches Botros, Ermia, Yaacoub, and Youhanna in 1121 A.D”.
The church is known for its ”Elij” icon of the Virgin Mary and Jesus Christ: while restoring it in 1985, Sisters of karlmalite-Harissa, researchers had found 10 different layers of paint, and the oldest one backed to the 10th century (every layer is over 100 year).
This monastery is the fourth oldest belonging to the Maronites. It is one of the most ancient Episcopal seats in Lebanon. It was built on the ruins of a pagan temple as mentioned before. It had witnessed all types of persecution and martyrdom for the name of Jesus Christ, in addition to the history and faith, in what it spared miracles and glorification of Virgin Mary. It is not an edifice, but it looks like a grotto, built in the valley amidst old trees, between the mountains and the rebellious course of two rivers, of soil-colored dabachi stones which cannot easily be seen under the walnut trees…
What is left of the monastery today are two floors. The church occupies the greatest part of the ground floor while the first floor contains a small loft and a wide hall. The patriarch lived on the upper floor, in the small loft, which can be reached either by an internal flight of stairs within the church, or by external stone stairs. There is also a secret access from the patriarch’s room to another hidden room or to the outside. A small window was opened in the patriarch’s room facing the Holy Sacrament and the icon of Our Lady of Elij over the main altar. Next to the church on the first floor, there are two rectangular rooms with low curved ceilings, open to each other by a small path on the west side, inside the separating wall.
The church is distinguished by its “Bema” (the throne in Greek), with stairs leading to it on the western side. The bema is a high tribune in the church where the first part of the Mass, the Liturgy of the Word, is celebrated, where the Patriarch sit with bishops. It is the only church in Lebanon that still keeping a bema. There are a number of basements (narrow tunnels) inside the walls used to hide and run during persecution, invasion and war. There is a library containing souvenirs: religious relics, photos, books, documentary, local products.
St. Aquilina Chapel (Aquilina the Martyr Saint of Byblos), Byblos, Lebanon
كابيلّا الشهيدة أكويلينا
Jbayl
Jbeil
Mount Lebanon
كابيلّا الشهيدة أكويلينا - جبيل
القدّيسة أكويلينا شهيدة من مدينة جبيل استشهدت فيها بعمر اثنتي عشر سنة، سنة ٢٩٣. دُفِنَت ذخائرها خارج مدينة جبيل، في المزار المُشيَّد على اسمها والواقع على تلّة قصّوبا شرقيّ المدينة بحسب المستشرق ارنست رينان. رسم لوحتها سمعان سمعان المصوّر المعروف بسمعان سارة أواخر سنة ١٩٥٣ بسعي الأب أنطونيوس زغيب الذي نشر إكرام القدّيسة. الكابيلّا بنيت أيّام رئاسة الأب يوحنّا وهبه على أنطوش جبيل في سوق جبيل القديم، سنة ١٩٨٢. وهو مزارها في قلب المدينة ومحجًّا لطلب شفاعتها.
The Chapel of St Aquilina - Byblos
St Aquilina is a twelve year old martyr from Byblos who died in 293. Her relics were buried in a small shrine on the hill of Qassouba in the vicinity of the city according to the orientalist Ernest Renan. The painting is the work of Semaan Semaan also known as Semaan Sara dating back to 1953, commissioned by Fr Antonios Zgheib who promulgated the devotion to the saint. The chapel was built when Fr Youhanna Wehbe was the rector of Byblos’s presbytery in 1982. The chapel is a pilgrimage site to all those seeking the martyr’s intercession.
سنة ١٨٠٤ رسم المطران يوحنا الحلو الخوري حنا رزق (المطران يوسف) كاهنًا، وفوّض إليه بأمر البطريرك يوسف التيّان حقوق النيابة وزيارة أبرشية صور وصيدا، فسهر على خيرها ملاحظًا شؤونها متجوّلاً في أنحائها. بعد قرابة الثلاثة أعوام من تعيينه نائبًا عامًا على أبرشية صور وصيدا، وبعد أن عرف حاجتها الى العلم، باشر الأب حنا رزق بإنشاء دير ومدرسة مار يوسف في جزين. عام 1810 توقف الأب حنا عن البناء وعاد الى عين ورقة ليصبح رئيسًا للمدرسة في غسطا. عاد المطران يوسف بعد احداث ١٨٦٠ ليبني الدير والكنيسة. ميزة بناء هذه الكنيسة هي عدم وجود اي عمود في وسطها ، وطراز شبابيكها، ونوع حجارتها والدرج الداخلي في حائطها الشمالي. واستقدم لها اللوحات من روما والمذابح الرخاميّة من المرمر الأبيض. وهي آية في الجمال المعماري. اللوحات من عمل رسام ايطالي انريكو سكيفوني. وهي اليوم وقف الآل رزق.
In 1804 Archbishop Youhanna el Helo ordained Hanna Rizk (later bishop Youssef) a priest, and gave him the mission with the blessing of Patriarch Tayyan to oversee as a vicar general the archdiocese of Tyr and Sidon. After three years in his mission, and seeing the urge for a seminary in the diocese, he began the construction of St. Joseph's Seminary in his hometown Jezzin. In 1810 the construction was delayed due to the appointment of Mgr. Rizk as a Rector in the Maronite Grand Patriarcal Seminary in Ain Warqa. Yet after the war in 1860 he resumed his initial project in Jezzin. The church is unique in its architecture: a high cieling with no columns. The white marble altars are beautifully ornate. And the paintings are the work of the Italian Enrico Scifoni. The establishment is now a private chapel owned by the Rizk family.
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