Abdin – The church of Our Lady of Immigrants

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سيدة المهاجرين, Aabdine, Lebanon

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كنيسة سيّدة المهاجرين

Aabdine

Bcharre

North

كنيسة سيّدة المهاجرين - عبدينبنيت الكنيسة سنة ١٩٤٩ بسعي حثيث من خادم الرعيّة آنذاك الخوري بولس العلم، الذي ما وفّر جهدًا مع أبناء البلدة المهاجرين لبناء كنيسة كبيرة للبلدة. هي الكنيسة الوحيدة المكرّسة لسيّدة المهاجرين التي يقع عيدها في ١٨ أيلول من كلّ عام، تذكار هجرة المسيح الى مصر. المذبح الكبير مستقدم من دير راهبات الناصرة في بيروت سنة ١٩٦٢، وهو إيطاليّ الصنع. أمّا اللوحات فوق المذابح فهي من عمل يوسف بو هارون من زغرتا، وفي الكنيسة لوحة أخرى للسيّدة من عمل جوزيف فبيان العلم.The church of Our Lady of Immigrants - AbdinThe church was built in 1949 with the aids of the village’s diaspora and the hard work of Fr Boulos El Alam who raised funds for the project. It is the only church with this dedication. Its feast day is celebrated on the 18th of September every year, the commemoration of the Flight to Egypt. The high altar is Italian and was brought from The Sisters of Nazareth Monastery in Beirut in 1962. The paintings over the altars are the work of Joseph Bou Haroun. The church holds another painting of the Madona done by Joseph Fabien El Alam.

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On the northern side of the village of Kousba, is the monastery of Our Lady of Hamatoura, built in the rocky hollow of a high cliff which overlooks the holy valley of Kadisha. Hamatoura is 84km from Beirut.

The church of Saint Jacob is the most ancient part of the monastery, belonging to the 4th century, while a large cross from the 7th century rises above the outer doorway. Some quite well preserved frescoes dating back to the middle ages cover the walls of the church, one of which shows the Holy Virgin, Queen of Heaven, seated on a throne with the Child Jesus on her knees.

Near the monastery are two venerable churches, one dedicated to Saint Michael and the other to Saint John the Baptist. On the top of the hill one can see the church of St. George. Close by the monastery is a rocky cave where one may perceive the base of a stalagmite, where barren women come to pray in the hope of bearing a child, for this grotto was dedicated to the pagan goddess of fecundity.

Late in the 13th century, at Our Lady Monastery in Hamatoura, Saint Jacob began his ascetic life. Later, when the monastery was destroyed by the Mamlukes, he reestablished monasticism along the perimeter of the ruined monastery. In time, he rebuilt the monastery, regenerating and giving renewed vigor to monastic life in the area. His spiritual briskness, vivacity, and popularity among believers drew the attention of the Mamelukes who set their minds to stop his verve and determination and force him to convert to Islam. He stubbornly refused their relentless pressures. The Mamlukes killed him and burned the church. Today, believers and pilgrims are constantly reporting his apparitions, miraculous healings and other Grace-filled deeds.

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بُنيت الكنيسة سنة ١٨٦٠ على أنقاض كنيسة أخرى أقدم عهدًا، بسعي الخوري مارون العلم، وكرّسها المطران بولس موسى رئيس أساقفة طرابلس. رُمّمت سنة ١٩٨٤. تحوي الكنيسة على ثلاث مذابح: السيّدة وفوقه لوحة لداوود القرم تعود لسنة ١٨٨٤، قلب مريم الطاهر، ومار يوسف.

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The church was built in 1860 over an older church, with the overseeing of Fr Maroun Al Alam. It was consecrated by Boulos Moussa Archbishop of Tripoli. The structure was restored in 1884. The church holds three altars: the main one is dedicated to the Virgin Mary with a painting drawn by Dawoud el Qorm dating back to 1884, The Immaculate Heart of Mary, and St Joseph.

Abeydat – The hermitage of St Simeon the stylite in Wadi al-Bouwayli’e

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المحبسة عبارة عن تَجوِيفٍ مَحفُورٍ فِي الصَّخر، بِدَاخِله صُوَرٌ جُدرَانِيَّةٌ تعود إِلى القَرن الثَّاني عَشَر. مِن بَينِ هِﺬهِ الجُدرَانِيّات رَسمُ الشفاعة، وَكِتَابَةٌ سِرَيَانِيَّةٌ لَم يَبقَ منهَا وَمِن الرُّسُومِ إلّا القَلِيل بِسَبَب عَوَامِل الطَّبِيعَة وَجَهل الإِنسَان. يَتمُّ الصُعُودُ إِلَى غُرَفِ الدَّير بِوَاسِطة سَلَالِم خَشَبِيَّةٍ وَأُخرَى حَدِيدِيَّةٍ مُستَحدَثَةٍ.تُجَاوِرُ دَيرَ مَار سِمعَان كَنِيسَة مَارت مُورَا، وَهِيَ عِبَارَةٌ عَن نَقرٍ في الصَخرِ.بحسب الخبراء جداريّات عبيدات تعودُ لراسم جداريّات كنيسة مار تادرس بحديدات.

The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat

The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.