بُنيَ الدّير على تلّةٍ في ضواحي زكريت على ضفاف نهر الكلب. الكنيسة القديمة بُنيت على أنقاض هيكلٍ وثنيّ عقب حملة المماليك على كسروان، وجُدِّدت سنة ١٦٨٥، بحسب كتاب تاريخ الأزمنة للبطريرك إسطفان الدويهيّ. إستلمت الرهبانيّة الأنطونيّة المارونيّة الكنيسة وبنت ديرًا سنة ١٧١٦. أمّا الكنيسة الجديدة فبنيت سنة ١٨١٠ بإعتناء الأمير حسن قاسم الشهابي، أيّام رئاسة الأب يوسف البشابيّ العامّة. لوحة مار عبدا هي من عمل داود القرم، سنة ١٨٨٤. وفي الكنيسة لوحة أُخرى للقدّيس من عمل أسعد رنّو. يقصد هذا الدّير المؤمنون طالبين شفاعة مار عبدا العجائبيّ خصوصًا النّساء العواقر والأطفال المرضى.Built on a hill in the vicinity of Zakrit near Nahr El Kalb, the first church was built over the ruins of a roman temple after the Mamluk’s campaign on Kesserwan and renovated in 1685 according to Patriarch Estephan El Douaihy in his book Tarikh al Azmina. The Antonine Maronite Order acquired the church and the monks built a new monastery in 1716. In 1810 a new church was built on top of the first one with the help of Prince Hassan Abou Qasem Shehab, when Fr Youssef al Bchabby was abbot. The main painting is the work of Dawoud el Qorm, dating back to year 1884. Another painting of the saint is kept in the church and is the work of Assad Renno. St Abda’s church is believed to be miraculous especially for baron ladies and sick children
بُنيت الكنيسة بعد قدوم آل الكك الى دير القمر وتركهم بلدة دميت، وأُكمل البناء سنة ١٦٨٤. الكنيسة وقف لآل الكك، رُمّمت ووُسّعت على عدّة مراحل. تتميّز الكنيسة بمذبح مار أنطونيوس الكبير وهو ذكر من كنيسة دميت الأثريّة، وأيقونة مار جرجس الشهيد.
St. George’s church - Deir el Qamar
The church was built by the Kek family after they came to Deir el Qamar from Dmit, and completed in 1684. It is a private family chapel restored on many occasions. The church holds a side altar of St. Anthony the Great, reminiscent of the historic church in Dmit, and a local icon of St George.
Basilica of Our Lady of Mantara - بازيليك سيدة المنطرة, Maghdoucheh, Lebanon
مقام سيدة المنطرة العجائبي مغدوشة
Maghdoucheh
Saida
South
Our Lady of Mantara is a Melkite Greek Catholic Marian shrine in Maghdouché, Lebanon, discovered on 8 September 1721 by a young shepherd. The grotto, which according to a legend dates to ancient times, was subsequently cared after by Monsignor Eftemios Saïfi, Melkite Catholic bishop of the Melkite Greek Catholic Archeparchy of Sidon. The shrine consists of a tower crowned with the statue of the Virgin and Child, a cathedral, a cemetery and a sacred cave believed to be the one where the Virgin Mary rested while she waited for Jesus while he was in Tyre and Sidon. (Women were not allowed in some cities). Since its discovery, it has been steadily visited by families particularly each year on the occasion of the feast of the Nativity of Mary on 8 September.
Ancient era Many historians agree that the devotion to the Virgin Mary in Lebanon replaced the Phoenician worship of Astarte. Temples and shrines to Astarte were converted to Christian places of worship, honoring the Virgin. This is also true in Maghdouché where within the vicinity of Our Lady of Awaiting are the remains of a shrine to Astarte.
Middle Ages During the reign of Emperor Constantine, his mother, Saint Helena of Constantinople, requested in 324 the destruction of all pagan temples and idols dedicated to Astarte. The Astarte shrine in Maghdouché was probably destroyed at that time and converted to a place of devotion to the Holy Mother.
Since the early Christian era, the inhabitants of Maghdouché have venerated the cave where the Virgin Mary rested while she waited for her son, Jesus to finish preaching in Sidon. Saint Helena asked the Bishop of Tyre to consecrate a little chapel at the cave in Maghdouché. She sent the people of Maghdouché an icon of the mother and child and some altar furnishings. Historians believe that Saint Helena asked the people to name the chapel, and they named it "Our Lady of Awaiting" because it was there that the holy mother waited for her son.[4] Mantara is derivative of the Semitic root ntr, which means “to wait."
Saint Helena provided funds from the imperial treasury for the maintenance of the chapel. The funding continued for three centuries of Byzantine rule in Phoenicia until Khalid ibn al-Walid defeated Emperor Heraclius at the Battle of the Yarmuk.[4] While the caliph Omar, who became ruler of Jerusalem, was a pious and humble man, sparing Christendom's holiest shrines and being tolerant of his Christian subjects, the Arab rulers of the rest of Byzantium were less tolerant of the Christians, especially in the maritime cities of Tyre, Sidon, Beirut, Byblos, and Tripoli.[4] After the majority of the Sidonians converted to Islam to receive promised privileges and immunities, the people of Maghdouché withdrew to higher elevation up Mount Lebanon. The caliphate had recognised the Christians of Mount Lebanon as autonomous communities, paying a fixed tax. Before abandoning their village, they concealed the entrance to the cave of Our Lady of Awaiting with stones, earth and vines. The people left the village through obscure mountain paths to the strongholds of Christian Lebanon. The legend of Our Lady of Awaiting was passed down to the exiled generations of Maghdouché for one thousand years.
The people of Maghdouché did not return to their ancestral home despite the arrival of the Crusaders in Sidon. The Crusaders spent most of the 12th and 13th centuries in the shadow of Maghdouché without ever suspecting the sacred cave's existence even though they built a small fort, called La Franche Garde, within meters of the hidden entrance to the cave.
Modern era The people of Maghdouché only returned to their ancestral village during the reign of the Druze Prince Fakhreddin II (1572-1635). The prince, who was considered a tolerant and enlightened ruler of his day and age, believed in equality amongst the diverse religious followers of his Lebanon. To demonstrate this equality, he appointed a Maronite Catholic as Prime Minister, a Muslim as Minister of the Interior, a Druze as Army Commander and a Jew as Finance Minister. His reign was a rare example of non-sectarianism, and it soon became the most prosperous principality in the Ottoman Empire.
It was not easy to relocate the sacred cave even though the men of Maghdouché worked for hundreds of years near the grotto, pulling down the stones of the Crusader fort for building material for their new homes. The cave was finally rediscovered on 8 September 1721 by a young shepherd when one of his goats fell in a well-like opening in the porous limestone. Wanting to save his goat, the shepherd made a rope from vine twigs, tied it to a tree, and descended into the hole, but the rope broke and he fell. When his eyes became accustomed to the darkness of the grotto, the boy saw a soft glimmer of a golden object, which turned out to be Saint Helena’s icon of the Mother and Child. The boy climbed up the stone walls and ran to the village to tell his discovery.
سنة ١٨٠٤ رسم المطران يوحنا الحلو الخوري حنا رزق (المطران يوسف) كاهنًا، وفوّض إليه بأمر البطريرك يوسف التيّان حقوق النيابة وزيارة أبرشية صور وصيدا، فسهر على خيرها ملاحظًا شؤونها متجوّلاً في أنحائها. بعد قرابة الثلاثة أعوام من تعيينه نائبًا عامًا على أبرشية صور وصيدا، وبعد أن عرف حاجتها الى العلم، باشر الأب حنا رزق بإنشاء دير ومدرسة مار يوسف في جزين. عام 1810 توقف الأب حنا عن البناء وعاد الى عين ورقة ليصبح رئيسًا للمدرسة في غسطا. عاد المطران يوسف بعد احداث ١٨٦٠ ليبني الدير والكنيسة. ميزة بناء هذه الكنيسة هي عدم وجود اي عمود في وسطها ، وطراز شبابيكها، ونوع حجارتها والدرج الداخلي في حائطها الشمالي. واستقدم لها اللوحات من روما والمذابح الرخاميّة من المرمر الأبيض. وهي آية في الجمال المعماري. اللوحات من عمل رسام ايطالي انريكو سكيفوني. وهي اليوم وقف الآل رزق.
In 1804 Archbishop Youhanna el Helo ordained Hanna Rizk (later bishop Youssef) a priest, and gave him the mission with the blessing of Patriarch Tayyan to oversee as a vicar general the archdiocese of Tyr and Sidon. After three years in his mission, and seeing the urge for a seminary in the diocese, he began the construction of St. Joseph's Seminary in his hometown Jezzin. In 1810 the construction was delayed due to the appointment of Mgr. Rizk as a Rector in the Maronite Grand Patriarcal Seminary in Ain Warqa. Yet after the war in 1860 he resumed his initial project in Jezzin. The church is unique in its architecture: a high cieling with no columns. The white marble altars are beautifully ornate. And the paintings are the work of the Italian Enrico Scifoni. The establishment is now a private chapel owned by the Rizk family.
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